The play that famously got away when one of its stars (quite literally) jumped ship is back. In 1995, Stephen Fry abandoned the West End premiere of Simon Gray's espionage drama Cell Mates, leaving co-star Rik Mayall in the lurch and prompting Gray to write a particularly dyspeptic account of the bizarre goings-on called Fat Chance.

Pantomime may be a very old art form, but the Lyric Hammersmith has been injecting some freshness into it each year since 2009, and this year's production, written by Joel Horwood and directed by Jude Christian and Sean Holmes, is no exception.

Theatreland is currently awash with pantomimes and rehashes of A Christmas Carol, so all credit to this ambitious new production, an adaptation of the 1935 children’s book, The Box of Delights. Long before Narnia, poet laureate John Masefield was concocting tales of children dispatched to mysterious country houses for safekeeping but encountering deep magic, time travelling and talking anim

Israel Zangwill’s 1908 play The Melting Pot characterises Europe as an old and worn-out continent racked by violence and injustice and in thrall to its own bloody past. America, on the other hand, represents a visionary project that will “melt up all race-difference and vendettas” to “purge and recreate” a new world.

You have to hand it to Menier Chocolate Factory, a venue that doesn't let size matter as it stages an all-singing, all-dancing new production of Barnum, a musical about Phineas Taylor (PT) Barnum – the 19th-century showman famed for staging “The Greatest Show on Earth”.

The political story of our time is the upsurge in support for Jeremy Corbyn, leftwing leader of the Labour Party, mainly by young activists who are both idealistic and energetic. But what would happen if one of them decided to go freelance, and pushed their protest beyond the bounds of reason? James Fritz’s resonant and beautifully structured play explores this kind of question.

Confused people, some of whom may have made the wrong choices in life and love, find themselves in an enchanted wood at Midsummer. Dear Brutus has long been seen to echo Shakespeare’s comedy of metamorphosis, A Midsummer Night’s Dream. A huge success in 1917, it is rarely performed now, and Barrie’s fantasy for grown-ups is probably more of a challenge to the modern director than its Elizabethan precursor.

Even by the standards of theatrical archaeology that the Finborough has made its own, The Passing of the Third Floor Back is a curiosity. Jerome K Jerome’s 1908 play was a long-running hit in the West End – with Johnston Forbes-Robertson, one of the leading English classical actors of his day, in the lead – before transferring to Broadway for a year.

The civil war in Syria spawns image after image of hell on earth. Staging the stories of that conflict presents a challenge to playwrights: how do you write about horror in a way that is both accurate and entertaining? Goats, by Syrian playwright and documentary film-maker Liwaa Yazji, translated by Katharine Halls, is part of the Royal Court’s international project with writers from Syria and Lebanon, and takes up this challenge.