Lauded by Auden, detested by Edmund Wilson, the Tolkien sagas have divided many from childhood onwards: for kids, they’re not quite pulpy enough to be the first choice for a Halloween costume, for grown-ups not quite literary enough to be literary.
film reviews
James Saynor
Nick Hasted
Patriotic Italian films set during the Fascist war effort are understandably rare UK releases. Submarine commander Salvatore Todaro (Pierfrancesco Favino) was, though, an honourable warrior-poet who director Edoardo De Angelis seeks to separate from wider currents.
Sarah Kent
If you suffer from lepidopterophobia, this film will either cure your fear of moths or push you over the edge. Warning: the screen is often filled with moths of every shape, size, colour and pattern while the sound of flapping, fluttering and girating wings fills the air to the point where you feel bombarded by the flying, furry creatures.
Markie Robson-Scott
“Shoot, Jim, shooot!” Simon Callow does a fine impression of producer Ismail Merchant desperately trying to get director James Ivory to bring urgency to the proceedings.
The received wisdom was that Ismael thought Jim was going to bankrupt Merchant Ivory Productions commercially by insisting on perfection, while Jim was sure that Ismael would bankrupt it artistically by insisting on every possible economy.
Helen Hawkins
On July 4, 2022, one of the most unusual performances in Hamlet’s lengthy and much travelled CV took place: an in-game stream for players of the blockbuster Grand Theft Auto (GTA).
Adam Sweeting
Rachel Yoder says she wrote her debut novel Nightbitch as a reaction to Donald Trump’s first term as President, with what she saw as its consequent mood-shift in America towards “traditional values and women staying home, taking care of the kids.”
Saskia Baron
It must have seemed such a delicious premise – a Buñuel-esque comedy about world leaders trapped at a luxury retreat as the apocalypse looms. With cult director and installation artist Guy Maddin directing alongside his regular collaborators Galen and Evan Johnson, one can understand why Cate Blanchett, Charles Dance, and the rest of the starry cast signed up for Rumours. Unfortunately, it all wears a little thin.
Helen Hawkins
The writer-director of 2017’s I Am Not a Witch, Rungano Nyoni, has come up with another scorcher, this time taking aim at Zambia’s social structures, in which women’s power can become petty tyranny. Nyoni’s Zambian scenarios are populated with “aunties” and “uncles” and the occasional “grandma”. These titles designate the elders of the kinship group, the leaders who speak for the rest. In the case of our heroine’s Auntie Christine, that means a non-stop stream of aggressive accusations.
Adam Sweeting
“You either got faith or you got unbelief, and there ain’t no neutral ground,” as Bob Dylan sang, but Cardinal Lawrence (Ralph Fiennes) isn’t finding it quite that simple.
Helen Hawkins
The Indian writer-director Payal Kapadia scored this year’s Cannes Grand Prix with her first fiction film, All We Imagine as Light, which follows three women trying to make a living in modern Mumbai. It’s a deserving winner, both exquisitely delicate and formally bold.