Wales
Elin Williams
Dylan Thomas’ iconic play Under Milk Wood boasts a host of colourful characters. From the blind sea Captain Cat to the loveable Polly Garter washing the steps of the welfare hall, the play is a play for voices; a play for characters. Thomas, born in Swansea, thirst like a dredger, moved to Laugharne with his wife Caitlin in 1938. It was here he most likely got the inspiration for those characters, although the setting was allegedly inspired by New Quay in Ceredigion. This year for the poet’s 100th birthday, Dylan is everywhere and National Theatre Wales’s Raw Material: Llareggub Revisited is Read more ...
Jasper Rees
We have all learned to genuflect at the altar of Nordic noir in recent years – see The Tunnel, the Anglo-French remake of The Bridge, and the American Killing, not to mention the news that Borgen creator Adam Price and Michael House of Cards Dobbs are to collaborate. But the traffic is not entirely one-way. One series purchased by the Danish broadcaster DR is Hinterland, an intriguing and impeccably sullen crime series from Welsh-language broadcaster S4C. Its drama department is better known for the long-running soap Pobol y Cwm, but this is an altogether harder-hitting snapshot of rural Read more ...
Steve Clarkson
A spiralling stage, horned with two raised prongs. A circular display, mounted on the back wall, which presents the buildings and coastline of a seaside town from a bird’s eye view. Subtle blues, yellows and reds that light up the stage to reflect the time of day. Spirited actors buzzing around like heated molecules in an educational science video as they each take on several roles.If Under Milk Wood was exclusively “a play for voices”, as its author Dylan Thomas suggested, then such visual aspects of the classic Welsh tale would never have come into being. But here they are at York Theatre Read more ...
Elin Williams
Cardiff Bay’s Bute Street is home to many imposing buildings, a large number of which are derelict. They have the potential to become something more than they currently are. They can be revived, and that’s what Louise Osborn has done by mounting her site-specific production to one of them. Roar Ensemble and Sherman Cymru have brought Maudie’s Rooms back to an old customs and immigration house in Cardiff after sell-out performances last year.An intimate audience of just 20 is summoned to a bus stop opposite the house, where it is met by Professor Arlo Butterworth, who appears to be lost and Read more ...
Bridget Keehan
The idea for Day to Go – the show takes its name from a bus ticket – sprang from my own bus journeys around Barry and from a desire to make a piece of theatre specific and relevant to the town. I persuaded a local company to lend me a bus for a few days so I could start to plan the route and, at the same time, I began a series of conversations with bus drivers, bus users, café owners, choir leaders, librarians, hairdressers and even the local undertakers in a bid to find out what matters most to people in Barry.The common theme that emerged from these conversations was a sense of loss for Read more ...
Jasper Rees
It won’t have escaped the attention of anyone with an ear for poetry that Dylan Thomas turns 100 this year. He was born in a suburban house on a hill overlooking Swansea Bay a few months after the outbreak of war, and by his early 20s had been hailed a significant poetic voice by TS Eliot. By 39 he was dead, hastened to his grave by a lethal combination of alcohol, pneumonia and New York doctors.The roaring boy who lived hard and died young has been iconised on the cover of Sgt Pepper, and gave his name to a scrawny-voiced crooner from Minnesota (although this is sometimes disputed by Read more ...
Sebastian Scotney
The core pulse of Tudor polyphony is often deliciously slow. It gets down to a mesmeric pace of about 30 beats per minute. The listener just has to succumb to it, and the experience, even in the virtually unheated Cambridge College chapel where The Sixteen began its 2014 Choral Pilgrimage last night, was pure pleasure.The names of the three composers whose work form the Sixteen's programme for the concerts of this year's Pilgrimage will be unfamiliar, but Davy, Sheppard and Mundy are all important precursors of Byrd and Tallis, and the sequence of works has been meticulously prepared to Read more ...
Karen Krizanovich
In a Q&A at the London Screenwriters' Festival last year, Welsh writer/director Caradog James and producer John Giwa-Amu already had fans. If that Q&A is any indication, the team at Red & Black Films have a brilliant career ahead of them, all thanks to The Machine, a dark science fiction tale of artificial intelligence and human scheming that is finally released this week. Described by some as a 90 minute sci-fi Pygmalion, or a hybrid of Blade Runner and Frankenstein, The Machine is stylish and fantastic in the original sense of the word – slick enough to be impressive but not too Read more ...
stephen.walsh
Handel’s “little opera”, as he called Acis and Galatea when he was composing it in 1718, probably survived while his true, full-length operas vanished from sight precisely because it was little, compact and manageable, like Purcell’s Dido or Pergolesi’s Serva padrona. But little isn’t the same as easy; and these days a production like the one with which Mid Wales Opera is celebrating its 25th anniversary can find itself asking more questions than it can readily answerOn the face of it it’s an utterly competent, workable, musicianly show, perfectly adapted to the touring that is MWO’s chief Read more ...
Jasper Rees
Why has Nordic noir been such an addictive novelty? Yes the plots are great, the locations moodily cool, the flat dialogue enigmatic. But in the end it’s all about gender. The detective who is a genius at work but clueless at life – we’ve seen it all before in a suit and tie and a battered mac. What’s different in equal-opportunity Scandinavia is that the dysfunctional crimebusters are beautiful bug-eyed Valkyries. Up north it’s the blokes who are the sidekicks.First there was Sara Lund in The Killing. However much work she needed to do on her empathy skills, Saga Norén of the Malmö police Read more ...
Jasper Rees
The late rise of Ruth Jones, who has been made an MBE, is a blessed relief. According to the prevailing rules of ageism and lookism, Jones should still be plugging away in supporting roles, typically as the large gobby sidekick which for years looked like the outer limit of her casting range.But after 20 years in the business and at the ripe age of 41, she won best female comedy newcomer at the British Comedy Awards. The performance that swayed the jury was still a gobby supporting role. But this time Jones – with James Corden (who won the male award) – had written it herself. Read more ...
Jasper Rees
There aren't a lot of harpists in pop. Transatlantic migrations took all sorts of instruments away from their European place of origin to become the building blocks of American music. But there was no sizeable Welsh diaspora so the harp stayed at home with its most diligent exponents. That places singer-songwriter-harpist Georgia Ruth in a musical tradition with deep roots but a less than broad reach.One of the many pleasures of her enchanting debut album Week of Pines is the way she ushers an old instrument into lush new pastures. In "In Luna" the harp has a lovely eager lilt as a kind of Read more ...