memoir
Liz Thomson
Record Store Day is now a fixture on the calendar, a key element in “the vinyl revival”, and this year – 13 April – it’s possible to buy a special Rega Planar Plus 1 Turntable, one of a limited edition of 500 costing £299. A novelty to many – but not to those of us who still have proper hi-fi systems which in my case includes not only a turntable and CD player but also cassette player and recorder and its mini-disc equivalent. It seemed like a good idea at the time – I planned to transfer all my bootleg cassettes. It was my third “proper” system and its selection was the result of many hours Read more ...
Marina Vaizey
In this memoir, subtitled “Paris Among the Artists”, Michael Peppiatt presents his 1960s self as an absorbed, irritatingly immature and energetically heterosexual young man let loose in Paris to find himself (or not). The young art historian, already a bemused platonic acolyte of Francis Bacon, whom he had met when interviewing the artist for a student publication, had been pushed by his Francophile father to cross the Channel. Paris was to define his life, loves and profession for at least a quarter of a century. He seemed relatively clear-sighted early on about the city’s allure and its Read more ...
Marina Vaizey
Dramatic Exchanges is a dazzling array of correspondence, stretching over more than a century, between National Theatre people. It’s a chronologically arranged anthology that acts as a history of the institution, from its appearance as an idea around 1906, through its first incarnation at the Old Vic from 1963, then on to its continuing life as a three-theatre powerhouse on the South Bank today.We witness its remarkable talents hard at work, but also happily finding time to snipe, grumble, feud – and carry on; they do hurt feelings, paranoia and betrayed promises with élan, too. As editor Read more ...
Marina Vaizey
What a charmer! An irresistible combination of diffidence and confidence, Michael Caine is so much more than Alfie, and this surprising book, his second after a delightful autobiography, is multi-layered, filled with tips for acting, on stage and screen. The title comes, of course, from the memorable cock-up in The Italian Job: as the little white van explodes totally, Caine with impeccable timing – and a delightful scowl – reminds his hapless colleague that, “You’re only supposed to blow the bloody doors off.”Subtly it reminds the reader that too much can be, well, too much. That is, in some Read more ...
Katherine Waters
“When you were our age, how did you imagine your life? What did you hope for?” It is a video of a classroom south-east of the Périphérique separating Paris from the working-class suburbs. The students are mostly girls between fifteen and sixteen and they wear make-up, jewellery, low-cut tops – we understand they’re sexy, confident, cool. Several are African, North African, Caribbean. When the teacher laughs, which is often, it bears vestiges of the provincial attitude of “a young girl who acknowledges her lack of importance,” though it’s unclear whether the students notice for she Read more ...
Marianka Swain
It seems only too fitting that David Lan’s luminous reign at the Young Vic should draw to a close with this bold, creatively thrilling international import. Jeanine Tesori and Lisa Kron’s Tony-winning musical, which premiered Off-Broadway in 2013, is an exquisite adaptation of Alison Bechdel’s graphic-novel memoir – a heartfelt detective story that traipses through memory in order to decode our loved ones, and ourselves.We meet Alison at three different ages: as a child in small-town Pennsylvania, where her father runs the funeral – or “fun” – home; as a college student coming out as a Read more ...
Katherine Waters
When Sarah Langford goes to work, she puts on warpaint and wig and acts. But she is not an actor. She defends those who might or might not be guilty of the crimes with with they’ve been charged, or she acts on behalf of those bringing prosecutions who may or may not be telling the truth. But often it's more complicated; she is no mere janissary. In Your Defence is her memoir, not only of the cases she has worked on (anonymised, of course), but also of how they have changed her; because it is not just rights and wrongs she deals with every day – that is the law in abstract. No. It is Read more ...
David Benedict
In Harold Pinter’s memory play Old Times, one of the women declares, “There are some things one remembers even though they may never have happened.” Elizabeth Strout’s heroine in My Name Is Lucy Barton is in the reverse position. When it comes to the difficult childhood she has long since escaped, she’s uncertain of what she can – or wants to – remember, yet she is anything but the standard issue unreliable narrator. In Richard Eyre’s flawless production at the Bridge Theatre, Strout’s writing, as adapted by Rona Munro and performed by a luminous Laura Linney, pulls off the considerable trick Read more ...
Liz Thomson
To readers of newspapers and magazines, the name Clancy Sigal will be very familiar, probably as a film reviewer. Addicted to writing, and to his old Smith Corona #3 portable typewriter, “Hemingway’s preferred machine”, he was a version of the man who came to dinner. He arrived – inevitably, for this was the early 1950s – off the boat in Dover, intending to spend a weekend exploring before returning to the US. He stayed 30 years.“Kicked out of Paris by the French police for having a cancelled US passport and no visa” – years later, he would discover the FBI had branded him SUBVERSIVE – he Read more ...
Veronica Lee
The first thing that greets the audience in the foyer for Danny Baker's new show, Good Time Charlie's Back!, which I saw at Princes Hall in Aldershot, is the merchandise stall, selling various items; T-shirts for £20, programmes at £10 (pre-signed!), and mugs for £8. But despite this naked determination to relieve punters of their wads, no one can accuse Baker of not giving value for money, as the show last three hours, and counting. Boy, can this man talk.On stage there is a large acreen, straddled by two smaller screens with what turns out to be a list of the subjects in his seemingly Read more ...
Marina Vaizey
Anecdotal story-telling wrapped up in hypnotic prose, Christie Watson’s narrative is a gentle, emotive five-part layered package of reflection and indignation. It is part memoir-autobiography, part history of nursing (Indian, Greek, Byzantine and African from millennia ago, not to mention Florence Nightingale and her revelatory common sense), and underlying all a polemic in persuasive praise of its crucial importance. There is also rage at what is happening to the NHS today, politically, socially and economically, and what it shows about the state of Britain.We are whisked through the Read more ...
Antony Sher
In 1982 Antony Sher played the Fool to Michael Gambon’s King in the Royal Shakespeare Company’s production of King Lear. Shortly after, he came back to Stratford to play Richard III, for which he won the Olivier and Evening Standard Awards for Best Actor.Sher kept a record of his performance in Year of the King. Other Shakespearean memoirs have followed, including Year of the Fat Knight about playing Falstaff and, with Gregory Doran, Woza Shakespeare!, about staging Titus Andronicus in South Africa.In 2016 Sher returned to Lear, this time in the title role, for the RSC production, directed by Read more ...