Oh dear, poor Pearl is in a bit of pickle. She's 17, and her mum wants to know what she's doing talkin' to Joe, a young lad from the local estate. After all, Pearl is meant to be engaged to Clive, her childhood sweetheart. And he'd come running if only Pearl would whistle. But she ain't interest'd. Anyhow, Pearl's mum knows what's what, and she reckons that mixed marriages never work. You see, Pearl is a Romany Gypsy and Joe is just a "Gorger" boy - that's Romany for anyone who isn't "one of us". Set a couple of years ago in East London, Shraddha - which is Romany for "You are what's in your Read more ...

Family life can be bad for your health. Especially if you are an overweight teenager. Take Anna for example. She's 15, a bit on the plump side, and having a rough time. At school, where - horror of horrors - her Mum is a teacher, she's attracted the attention of some bullies. But worse than unwelcome attention is neglect: her Dad is too busy writing a book about saving the planet from climate change to pay much attention to his daughter, or his wife. But help is on its way. But when Anna’s wired uncle, Terry, comes to stay, things start to look up. At least he talks to her. And stands up Read more ...

David Hare (b. 1947) has had three distinct phases to his career as a playwright. In the 1970s he was a satirist of the agitprop movement whose plays (Slag, Knuckle) smacked of youthful belligerence. From Plenty (1978) onwards, he devoted two decades to writing ambitious, wide-ranging plays about the state of the nation, most notably with the trilogy comprising Racing Demon, Murmuring Judges and Absence of War (1990-1993). Meanwhile, in Skylight (1995) and Amy’s View (1997) he pondered the nature of love (following marriage to his second wife, the designer Nicole Farhi). But when Read more ...

Theatre is the art of storytelling, and the best stories are those that constantly change their shape. In Dennis Kelly's storming new play, Orphans, which wowed critics and audiences when it opened in Edinburgh in August, the narrative morphs and flips like a bad conscience. And for good reason. Long before the final climax, you just know that something isn't right.The evening starts innocuously enough. Danny and Helen are a nice couple. If not exactly shining, happy people, they at least exude an air of comfort as they settle down to enjoy a quiet night at home. Nice room, nice furnishings, Read more ...

Behold the gleaming dark. At one point in this spirited and imaginative revival of Philip Ridley's 1992 play, The Fastest Clock in the Universe, one of the characters says, "We're all as bad as each other. All hungry little cannibals at our own cannibal party. So fuck the milk of human kindness and welcome to the abattoir!" Yes, well. As welcomes go, this is about as pleasant as a razor blade hidden in a cupcake - and perfectly apt for this sharp slice of East End gothic.Set in a disused fur factory deep in darkest London, Ridley's play begins by portraying the tangled domestic arrangements Read more ...

Is youth wasted on the young? Well, precious few grown-ups who watch Simon Stephens's new drama, Punk Rock, will develop a sudden urge to be a teenager again: his portrait of a group of middle-class youngsters is every parent's nightmare. They are either foul-mouthed and aggressive bullies, or deeply troubled neurotics - and the gradual escalation of their conflicts ends in the kind of mindless violence that stays on the front pages for days.Set in a Stockport grammar school, on the eve of A-level exams, the play starts off with the tender encounter between two 17-year-olds, local fantasist Read more ...