1960s
Kieron Tyler
It’s always irritating being told “you had to be there”. Even more irksome is when some author, film director or nostalgic creative decides to record – naturally, they “fictionalise” it – their contribution to some golden era or significant event for posterity. Whether they’re being truthful, bigging themselves up or playing fast and loose with history is beside the point. They’re saying they were there. Olivier Assayas’s Something in the Air is the French director and writer’s entry in the canon and, shockingly, it’s great.It’s great because Assayas has thoughtfully crafted a rich, Read more ...
graeme.thomson
Next Monday Bob Dylan releases Another Self Portrait (1969-1971), the tenth volume of his Bootleg Series which casts new light on one of his most maligned records, 1970's Self Portrait. Two days beforehand a selection of his pastel portraits will go on display at the National Portrait Gallery. (Both events, naturally, will be reviewed on theartsdesk.) At 72, popular music's most mercurial character is still throwing curveballs. For half a century now successive generations have wrestled with Dylan's mutations; mostly we pick and choose and settle for – at best – a partial understanding. His Read more ...
Kieron Tyler
Eddie Noack: Psycho – The K-Ark and Allstar Recordings 1962–69Eddie Noack’s 1968 single “Psycho” was virtually unknown until Elvis Costello released his cover version in 1981. By that time, Noack had been dead for three years. After its resurrection “Psycho” was recognised as one of the strangest songs ever. Although musically it is straight, George Jones-styled country, in its lyrics an unrepentant killer describes his actions to his mother – whom he had just killed. There was no redemption, no punishment, no pay off. Just the cold refrain “You think I’m psycho, don’t you mama?”“Psycho”, Read more ...
Tom Birchenough
There’s black-and-white style aplenty in Štefan Uher’s The Sun in a Net, an elliptical look at a youthful boy-girl relationship that intermingles with a whole range of themes left open for the viewer’s interpretation. Heralding the better-known Czech New Wave and rather ignored in the aftermath of that movement, it earned opposition from the authorities in its time, but impresses today for its filmic rather than social edginess.It’s a story of young lovers and their families: Fayolo (Marián Bielik) and Bela (Jana Beláková) meet on the roof of their Bratislava apartment block, both to Read more ...
Thomas H. Green
This is a buoyant, likeable album but – to be dismal and pessimistic – maybe the moment has passed for The Polyphonic Spree. This would be a shame as they’re more interesting than 90 per cent of the wannabe guitar pop stars out there. However, a dozen years and four albums (five, if you include the Christmas one) into their career they appear no closer to catching on. Yes, It’s True is not a great deal different in quality or style from any of their previous albums. The band are experts in light psych-pop that beams out a benign smile and melodic warmth. This is no slight on their music, just Read more ...
Kieron Tyler
Nilsson: The RCA Albums CollectionThe irony with Harry Nilsson is that despite being one of pop’s most distinctive and lauded songwriters, his two best-known singles were cover versions. In 1969 he hit the American and British charts with “Everybody’s Talkin’”, written by the ill-stared Fred Neil. Nilsson’s rendering was helped on its path by being featured in the film Midnight Cowboy. Then, in 1972, his interpretation of “Without You” topped the charts on both sides of the Atlantic. It was penned by Tom Evans and Pete Ham of the Beatles-propagated band Badfinger, both of whom would Read more ...
Kieron Tyler
Various Artists: Saint Etienne Present Songs for a Central Park PicnicThis is the perfect compilation for days when heat brings an enervation so overwhelming it’s possible only to bask like a seal flopped on a rock. Compiled by Saint Etienne, Songs for a Central Park Picnic’s 25 tracks capture moods of calm and wistfulness, something to help you take it easy. Yma Sumac’s swinging “Gopher Mambo” and Sammy Davis Jr’s “Bee Bom” are uptempo, but their relaxed groove won’t induce a sweat.The picnic kicks off with the definition of cool. On Vince Guaraldi’s “Softly as in a Morning Sunrise” notes Read more ...
Kieron Tyler
Few real-life subjects of a film would allow themselves to be seen in the way Ginger Baker is in Beware of Mr. Baker. He’s violent, bullying, self obsessed, a control freak, irresponsible, sexist, foul-mouthed and harbours decades-long grudges. Since he doesn't appear to be ill, it's difficult to ascribe his behaviour to forces beyond his control. He does, though, love animals and is a legendary drummer. So that’s all right then. Not only is Beware of Mr. Baker a testament to director Jay Bulger’s tenacity, it’s a portrait of a human so grotesque that even William Hogarth couldn’t have Read more ...
Kieron Tyler
Michael Hurley: Armchair Boogie / Hi Fi Snock UptownWith songs about werewolves, penguins, the English upper classes, trains, the police and more werewolves, these albums from surrealist folk maverick Michael Hurley are charming and occasionally disconcerting. His ramshackle delivery seems a little offhand but it brings an intimacy that can’t fail to worm its way in. Armchair Boogie (credited to Michael Hurley & Pals) was originally issued in 1971; Hi Fi Snock Uptown in 1972. Both originally came out Raccoon, the label run The Youngbloods.Armchair Boogie was the belated follow-up to Read more ...
David Nice
No theatre in London, surely, has offered us more miracles of transformed space than the Young Vic. Small it may be, but its productions often feel big in every way, and none more so than Joe Wright’s total-theatre take on Aimé Césaire’s A Season in the Congo. Enter the auditorium and designer Lizzie Clachan immediately places you – in all but the humidity, which doesn’t seep through from outside – on a street or square in Kinshasa, quickly taking you back to its former status as colonial Léopoldville in 1955 where Patrice Lumumba is selling beer. None of this would work, though, if it weren’ Read more ...
Kieron Tyler
Various Artists: Sophisticated Boom Boom!! – The Shadow Morton StoryWithout Shadow Morton, Amy Winehouse could not have made Back to Black. The songs the enigmatic sonic wizard wrote and produced for The Shangri-Las in the mid Sixties were integral to what made Back to Black tick. Amazingly, Sophisticated Boom Boom!! – The Shadow Morton Story is the first career-spanning collection of Morton’s work. For that alone, it would be, at the least, exciting. But with its massive, well-illustrated booklet, the involvement of and interviews with Morton – who died in February this year, before he Read more ...
Adam Sweeting
Rod Stewart isn't cool and he doesn't care. He made a complete pillock of himself with the likes of "Hot Legs" and "Do Ya Think I'm Sexy?", but they were some of his biggest-ever hits. He plunged gleefully into the WAGS-and-riches fantasyland of Los Angeles, became a living cartoon of pop star excess, and loved it. "I enjoyed myself hugely, every hour of every day," he told Alan Yentob in this entertaining Imagine... profile.Nonetheless, the success of his recent album Time, and matching live shows, represent a resounding comeback for Stewart. They've restored a chunk of the credibility that Read more ...