DVD: Maleficent

This dark re-imagining of Disney's wicked fairy delivers in style and effects

share this article

Little Shiloh Jolie-Pitt stars alongside her mother in the film
Angelina Jolie as the wicked fairy in this modern re-imagining

Angelina Jolie carries this re-visited Disney classic. She is the flying buttress that supports the old story told anew, as commanding as the nuclear green energy she emits into the stratosphere and as striking as any original drawing may have been.

While the famous curse scene is as honest an homage as it could be to the original animation, Maleficent draws upon the backstory of the supposedly evil villain from Sleeping Beauty. A woman mistreated and exacting her revenge, Jolie's powerfully haunting portrayal complete with clipped British accent sees her excel as both villain and hero as she works through heartbreak, sorrow and anger, emerging with a strange maternal longing and deep regret for the child she wronged.

Set against preternaturally stunning fairytale landscapes, she is accompanied by actors who aren’t nearly as memorable as the fantastical CGI creatures – twinkling, flitting elves, fairies, water sprites and sweet round-bellied swamp monsters. In due course, Maleficent’s lust for revenge turns to indifference, then sorrow. But, much to her horror, she cannot revoke the curse and by the time she realises her actions are unforgivable it seems to be too late. In an ending that echoes the sentiments of Disney’s Frozen, the twist in the tale is a welcome one. However some of the scenes are too disturbing to make this a kids film for that kind of age group – judging by the ass-kicking she delivers at the end, it’s more like Lara Croft Tomb Raider does Disney, making this a pre-teen action fairytale.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
The twist in the tale is a welcome one

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

more film

A lawyer sinks into a bureaucratic quagmire in a darkly humane Stalinist parable
Taut, engrossing low-budget thriller from an underrated director
The Italian star talks about his third portrayal of an Italian head of state
Sorrentino's latest political character study is cast in shades of grieving grey
Ryan Gosling fights to save Earth in a family sf epic of rare optimism
The little guy against the system: Bill Skarsgård and Dacre Montgomery star
'One Battle After Another' is the big winner over 'Sinners' amid a leaden Oscars that mixed impassioned politics with too much painful filler
A curious, cautious tale about sampling the Führer’s grub
Hlynur Pálmason creates an entrancing, novel form of film-as-memory
Director Rebecca Ziotowski gives Jodie Foster a free rein in French
Jessie Buckley and Christian Bale are a scream as lovestruck monsters on the run
The ironic slasher franchise's 30th anniversary finds it timid and tired