Film
Anthony Cecil
I think The Ballad of Wallis Island is the best British romcom since I Know Where I’m Going! (1945), which it closely resembles.In the earlier film, an unexpected love affair develops on a remote Scottish island that is cut off by stormy weather. The fictional Wallis Island is off the coast of Wales, not Scotland, yet director James Griffiths makes the same poetic use of landscape that characterises the Powell and Pressburger classic. Both movies are about love and nostalgia, but whereas the primary conflict of I Know Where I’m Going! is class, the corresponding fault line in The Ballad off Read more ...
Markie Robson-Scott
“I can’t move my arms or legs, but apart from that I’m good to go.” Moth (Jason Isaacs) has to be pulled out of the tent in his sleeping bag by his wife Ray (Gillian Anderson). And this is only the second day of their 630-mile walk, split into two summers, along the south-west coastal path from Minehead to South Haven Point.Raynor Winn’s moving, witty account of their trek, which they embarked on after being made homeless, was a bestseller in 2018. Perhaps inevitably, the eponymous film, in spite of having Tony-award winning theatre director Marianne Elliott at the helm (War Horse, Angels in Read more ...
Sarah Kent
Director Ben Rivers is primarily an artist, and it shows. Every frame of Bogancloch is treated as a work of art and the viewer is given ample time to relish the beauty of the framing, lighting and composition. Many of the shots fall into traditional categories such as still life, landscape and portraiture and would work equally well as photographs.In fact, the whole film is structured as a series of episodes that are more like animated stills than narrative sequences. And it produces the sense of being in the continuous present – as in a painting or a photograph. It’s a perfect match for the Read more ...
Nick Hasted
Grief takes unexpected turns over the course of a long Icelandic day in Rúnar Rúnarsson’s romantic tragedy, a Prix Un Certain Regard contender at last year’s Cannes.It starts with Una (Elín Hall) high on love with fellow Reykjavik art student Diddi (Baldur Einarsson), wandering the shoreline together at dusk then comfortably falling into bed. Diddi just has to head west the next morning to dump hometown girlfriend Klara (Katla Njálsdóttir), then life together can officially begin. When a catastrophic explosion destroys that future, Una is left secretly bereft as the nation and Klara mourn. Read more ...
graham.rickson
DEFA was East Germany’s state film studio, operating between 1946 and 1992. Among its vast output were four lavish science fiction adventures, released between 1960 and 1976 and shown here in gleaming new transfers. Each one, to varying degrees, depicts the future through a rose-coloured lens, the world evolving into a utopian socialist paradise where disputes are settled peacefully.While Hollywood sci-fi films tended to resemble action-packed westerns set in space, these DEFA features are more cerebral and thoughtful. Their tone is closer to the humanist ethos espoused by Gene Roddenberry’s Read more ...
Harry Thorfinn-George
There is a dark, spectral quality to this compassionate film about Southeast Asian migrant workers in rural Taiwan. At the centre of this story is Oom, played with quiet stoicism by Wanlop Rungkumjad, who is one of many Thai, Cambodian and Myanmar nationals who have entered Taiwan illegally to find care work in its remote mountainous regions. The group of mainly Thai migrant workers we follow have the bad fortune of working for Hsing, a capricious boss who promises a pay day that never comes. Oom slowly becomes Hsing’s right-hand man which invariably strains solidarity among the migrants Read more ...
Adam Sweeting
It’s not what he says, it’s the way he says it. Few filmmakers have bent the term “auteur” to their own ends more boldly than Wes Anderson, whose arresting visual style, oblique wit and skill in picking actors who can mould themselves to the unique demands of Wes-world is surely unequalled.You might argue that The Phoenician Scheme is little more than fanciful nonsense – I might be tempted to do so myself – but once on board you’ll want to stick around for the ride, even if much of it is barely comprehensible. It’s 1950, and the story revolves around Zsa-zsa Korda, a maverick tycoon who has Read more ...
Adam Sweeting
Whether it is or isn’t the final Mission: Impossible film, there’s a distinct fin-de-siècle feel about this eighth instalment, and not only because of its title. An early scene brings a nostalgic recap of highlights from the series’ history (which stretches back to 1996), with a voice-over from Angela Bassett’s President Sloane (pictured below) pleading with Ethan Hunt to return to save the world one more time. Comeback roles for M:I veterans Henry Czerny (as Kittridge) and Rolf Saxon – reprising his role of William Donloe from the first M:I film – reinforce the sense of a circle being closed Read more ...
James Saynor
There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater” when she was growing up in the 1990s. The phrase brings the half-forgotten world of Generation X back to us from the mists of time, with its slackers and Douglas Coupland books and mumbling evasions.The New York-based Ulman says she wanted to explore this Gen X world in her second feature, Magic Farm – but rather confusingly she sets it in the present amid the X-ers’ successors, the Millennials. From her angle, there seems scarce difference between Read more ...
Graham Fuller
Good One is a generation-and-gender gap drama that mostly unfolds during a weekend hiking and camping trip in the Catskills Forest Preserve in upstate New York. A putative indie classic, writer-director India Donaldson’s psychologically acute feature debut focuses on a self-contained, observant young woman, Sam (Lily Collias), whose skepticism about hard-wired male attitudes grows exponentially over the weekend.Sam lives with her gruff sixtyish dad Chris (James LeGros), his second wife, and a much younger stepbrother in a Brooklyn brownstone. On the eve of the hike with Chris and his buddy, Read more ...
Saskia Baron
It’s hard to say who is going to enjoy E.1027 – Eileen Gray and the House by the Sea. Admirers of the modernist designer-architect will be frustrated by how little of her other work is actually visible on screen while fans of feminist biopics might well be underwhelmed by the film’s languid pace and arty flourishes. It’s also a little puzzling that a major incident in Gray's life – the controversy around whether Le Corbusier jealously added frescoes to the all-white villa that Gray had designed on the Côte d'Azur in 1929 – has been covered fairly recently in the drama The Price of Desire Read more ...
Sebastian Scotney
In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a struggling community band in a mining town in northern French has fallen on hard times. Elements of déjà vu, perhaps?Certainly, if you're from Northern England. But rather than the romance of Mark Herman’s Brassed Off (1996), The Marching Band focuses on the relationship between two brothers (main picture).One, from the high end of metropolitan culture, is orchestral conductor Thibaut Désormeaux (Benjamin Lavernhe). The other, from the hard slog of life in Read more ...