Film
Nick Hasted
It’s hard to feel sympathy for a young man plotting to stove his prospective father-in-law’s head in with a hammer. But when Matvei (Aleksandr Kuznetsov) discovers his quarry is bull-necked cop Andrei (Vitaliy Khaev), this simple plan inevitably suffers violent complications. The ensuing sustained, gruesome slapstick recalls early Sam Raimi, as the antagonists swing a hammer, TV and power drill, sustaining cartoon damage. But Russian director Kirill Sokolov’s wittily grisly debut is about more than mayhem.His claustrophobic premise is skilfully expanded with character-building flashbacks Read more ...
Joseph Walsh
With influences as diverse as Hitchcock’s Vertigo to 2010’s Catfish, Safy Nebbou’s genre-splicing French-language feature, starring Juliette Binoche, comes loaded with a heady mix of cheap thrills and surprising psychological depth. And it’s a hoot from start to finish. Nebbou’s sixth and most accomplished feature is an adaptation of Camille Lauren’s 2016 novel, ‘Celle que vous croyez’. Binoche is Claire, a fifty-something literature professor, with two children from a failed marriage. We meet her being interviewed by a psychiatrist, Doctor Bormans (Nicole Garcia), the Read more ...
Veronica Lee
A camel is a horse designed by committee, they say; perhaps that explains why The Host, with several writing credits – adapted by Zachary Weckstein from a story by Laurence Lamers, screenplay by Finola Geraghty, Brendan Bishop and Lamers – doesn't really know what it is. Part suspense thriller, part crime caper, but mostly a Hitchcock rip-off (although I'm sure the creators would call it “homage”).It starts so promisingly, with Saul Bass-esque opening titles, but then we get into tale that becomes bogged down with trivial details. After being dumped by the married colleague with whom he has Read more ...
Adam Sweeting
Although it followed on from the previous hits Fort Apache (1948) and She Wore A Yellow Ribbon (1949), Rio Grande found director John Ford suffering from straitened finances. The third of his so-called “Cavalry Trilogy”, Rio Grande was made under a new deal with Republic Pictures, whereby its star John Wayne had to agree to a reduced salary so Ford could make both Rio Grande and his subsequent pet project, The Quiet Man. It was shot in Utah in a brisk 32 days.It tends to be dismissed as a minor Ford work, because of such idiosyncracies as the numerous musical appearances by the cowboy band Read more ...
Liz Thomson
Interviewed in isolation last week by Hollywood Reporter, music mogul Clive Davis revealed that he’s using his time “either by listening to the newest singles that make the charts or by watching hit music videos. First to be aware of them and then to keep my ears as current as they can be.”Just turned 88 and sequestered in Palm Springs, Davis was missing his family. He’d been due at the Rock & Roll Hall of Fame induction ceremony and then at New York University’s Tisch School of Arts, where he himself was to be honoured. Both events were of course cancelled but he needs to be “prepared Read more ...
Adam Sweeting
The battle of Long Tan in Vietnam isn’t well known to the casual observer, but it has entered the military folklore of Australia and New Zealand. On 18 August 1966, 108 men of Delta company, 6th Battalion of the Royal Australian Regiment found themselves under ferocious attack from 2,000 Vietnamese troops, and only some stubborn leadership, dogged resistance and the New Zealand artillery saved them from complete annihilation.Kriv Stenders’s film tells the story with an unpretentious straightforwardness you wouldn’t get in a bigger-budget Hollywood production, even though the story isn’t Read more ...
Joseph Walsh
The world might have changed drastically in the wake of Covid-19, but thankfully those hyperactive, candy-coloured Trolls haven’t. Anna Kendrick and Justin Timberlake are back as the delightful odd-couple, Poppy and Branch, for round two of pop-infused peppy animated adventure in the land of felt and feelings, where music can solve a myriad of problems. The first movie was a gleeful delight. Yes, it was slight on plot, but it possessed an infectious optimism and a message of love and acceptance. It wasn’t going to have the bosses at Pixar quaking in their boots, but it was an undeniable Read more ...
Nick Hasted
“They say we all have a beast locked up inside of us,” a character observes early in this Korean crime movie. Monsters are certainly chewing at the moral fibre of police captains Jung (Lee Sung-min) and Han (Yoo Jae-myung) as they corruptly pursue promotion. The serial killer they race to capture, like the schoolgirl he’s torn to pieces, become incidental to ambition, and the tendrils of vengeance which turn jungle-thick in its wake.Jung-ho Lee’s remake of the French thriller 36th Precinct, which starred Gerard Depardieu and Daniel Auteuil as romantic as well as career rivals, throws elements Read more ...
Adam Sweeting
Director Oleg Stepchenko’s follow-up to his 2014 yarn Forbidden Kingdom swaps the latter’s Transylvania for a fantastical computer-generated frolic round 18th century Russia and China, as pioneering cartographer Jonathan Green (Jason Flemyng) sets out to map the extremities of the known world. However, the plot grows increasingly incomprehensible as layers of lunatic action scenes and fairy-tale fantasy are piled on top of it.At its core is a Chinese fable about a magic dragon chained up by a wicked princess and the Black Wizards. In a process perhaps only students of Chinese folklore would Read more ...
graham.rickson
These three films come from Buster Keaton’s mid-1920s purple patch, the high spots of which prompted critic Roger Ebert to describe Keaton as “arguably the greatest actor-director in the history of the movies”. High praise indeed. And while I’d rank The General and Steamboat Bill, Jr slightly above the films making up this anthology, each one makes for joyous viewing.1924’s The Navigator was a personal favourite of Keaton, prompted by his chance acquisition of a defunct US Navy passenger liner about to be scrapped. The set-up has Keaton’s foppish Rollo Treadaway and the girl who’s just Read more ...
Kathryn Reilly
The scenes at flamenco legend Camarón de la Isla’s chaotic, thronged funeral which open this lovingly-made documentary give some idea of the singer’s popularity and the shock at his death at the age of just 41 in 1992. He began singing professionally – to support the family after his blacksmith dad’s early demise – at just eight years old and was profoundly influenced by his mother, Juana Cruz Castro, a basket weaver who attracted admiring crowds to hear her sing in her Cadiz courtyard. So far, so gitano.Camarón (meaning shrimp – he was considered pale and blonde among the gypsy community) Read more ...
mark.kidel
David Lynch’s second feature, his only period movie, is as good as anything else he has ever done, building on the claustrophobia of his first, Eraserhead (1977) The story of Joseph Merrick, born in Victorian times with the most terrible physical deformation, rescued from a humiliating life as a carnival attraction by kind Dr Treves provides an opportunity for Lynch to explore themes at the core of his work: the purity of innocence and the terror of evil.The cinematography, by Freddie Francis, creates a gloom and a vision of London’s dangerous streets that is reminiscent of German Read more ...