dance
Le Cirque Invisible, Queen Elizabeth HallSunday, 15 August 2010
Charm is as invisible as the circus but as undeniably present in Le Cirque Invisible, an adorable little presentation for which parents should go miles with children to see this month. Charlie Chaplin’s fourth daughter and her husband are not young things any more, and their two-person show is at least 40 years old in its various guises - but they simply keep adding and subtracting gags, costumes, dressing-up box illusions, magic tricks, rabbits, soap-bubbles, locking down a hall of... Read more... |
Cinderella, English National Ballet, London ColiseumWednesday, 11 August 2010
English National Ballet turns 60 next week, and nowadays just enduring has to be enough. Smelling of greasepaint and tour buses from the very first, it also smelled of stars - Alicia Markova and Anton Dolin who began it, Rudolf Nureyev and Natalia Makarova who created splendid productions for it, and extraordinary late-career performances by Lynn Seymour. Stars have been born in ENB too, even if they burst into full gleam elsewhere - Trinidad Sevillano, Tamara Rojo, and more than likely the... Read more... |
Tanguera, Sadler's Wells TheatreTuesday, 10 August 2010
Strange listening to Sadler’s Wells chief Alistair Spalding timidly defending “cutting-edge” dance on yesterday’s Radio 4 arts debate - having just been to the current SWT dance show, Tanguera. Read more... |
After A Dancemaker Dies, BBC Radio 3Sunday, 08 August 2010
Two giants of dance died last year: Pina Bausch and Merce Cunningham. Right now audiences aren’t being deprived of seeing why their names are written permanently in lights in dance history (Bausch’s company performs in Edinburgh and London later this year, Cunningham’s is in London in October), but after 2011 they may be. Cunningham’s company will close, while Bausch’s will be in its last of an uncertain three-year grace period. Read more... |
Don Quixote, Bolshoi Ballet, Royal Opera HouseSaturday, 07 August 2010
There is a moment when you see dancers at their absolute peak that notches a bit of history in your memory - you never forget when you see it happen. In my area of contemporary choreography you can’t measure it in those terms but you can with classical ballet, and a Don Quixote performance like I saw at the Bolshoi last night sets the bar. This level of performance is Olympic-sized, it erases everything else you have seen. Read more... |
Le Corsaire & Paquita Triple Bill, Bolshoi Ballet, Royal Opera HouseMonday, 02 August 2010
After all the encomia for Natalia Osipova it’s time for a paean to another Bolshoi ballerina, whose witty underplaying and conquest of style makes her the lady I’d choose to see shipwrecked in full tutu, diamonds and pink satin pointe shoes on any desert island I fetched up on. Read more... |
Carlos Acosta, Premieres, London ColiseumSunday, 01 August 2010
Great stars get lost sometimes. Up there in outer space, ringed with adulation, when they get a mid-life crisis sometimes they get sucked into a vanity black hole. No light emits, just the tatters of an angel who lost his way in his own legend. Read more... |
Serenade & Giselle, Bolshoi Ballet, Royal Opera HouseMonday, 26 July 2010
We’re getting used to expecting the extraordinary from Natalia Osipova - and then getting some more. With her impish face and farouche capriciousness, with a spring like a high-jumper and shoulders like a swimmer, she is without doubt the most explosively delightful comedienne and virtuoso around at the Bolshoi, but could she be a Giselle? Read more... |
Coppélia, Bolshoi Ballet, Royal Opera HouseThursday, 22 July 2010
Coppélia is the name of the doll in the ballet-comedy - not that of the heroine, who is a bad pixie named Swanilda, a girl of youthful capriciousness but a heart of gold. Read more... |
Laurencia, Mikhailovsky Ballet, London ColiseumTuesday, 20 July 2010
Rape, marauding soldiers, peasants on the warpath and a flash hero - are we at the Bolshoi’s Spartacus once again? No, we’re at the Mikhailovsky Ballet down the road at the Coliseum where a rather more Erroll Flynn-type spectacle is being offered, Laurencia. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Second Best, Riverside Studios review - Asa Butterfield brin...
Your response to Barney Norris’s one-...
Onegin, Royal Ballet review - a poignant lesson about the pe...
It would be hard to find an antihero more anti than Eugene Onegin. The protagonist of Alexander Pushkin’s long verse novel of 1833 is a wrecker of...
… Blackbird Hour, Bush Theatre review - an unrelentingly tou...
In a world tainted with racism and homophobia, the ...
Blu-ray: Stray Dog
Kurosawa’s 1949 thriller probes post-war morality in a Tokyo whose ruins and US occupation mostly remain just out of shot, in a heatwave causing...
Nakariakov, SCO, Emelyanychev, Queen's Hall, Edinburgh...
What a delight to see an almost full Queen’s Hall for a programme solely of...
Vietnam: The War That Changed America, Apple TV+ review - pa...
It’s been 50 years since the USA bowed to the inevitable and pulled out of Vietnam, in the midst of harrowing scenes of anguish and chaos. Apple’s...
The Flying Dutchman, Opera North review - a director’s take...
Saturday night could have given us the opportunity to witness the Opera North debut of Canadian soprano Layla Claire at the Grand Theatre, as well...
Play On!, Lyric Hammersmith review - and give me excess of i...
If you saw Upstart Crow on television or on stage in the West End, you’ll know the schtick of Sheldon Epps’ dazzling show ...
Amy Gledhill, Soho Theatre review - delightfully bawdy take...
At the 2024 Edinburgh Fringe, Amy Gledhill won best show for Make Me Look Fit on the Poster, ostensibly a cheery collection of stories...