dance

I Don't Believe in Outer Space, The Forsythe Company, Sadler's Wells

Ismene Brown Tuesday, 22 February 2011

An audience favourite has a USP that fills the house as long as they maintain the suspense - with William Forsythe, it’s the quality Diaghilev prized: unpredictability. When he set out in Germany in the 1980s he evolved an extreme classical ballet. Just as people got used to his distortions, he went into conceptual theatre. Expected to be gnomic and abstract, he then did emotional dance-theatre about his young wife’s death. Now to comedy territory in I Don’t Believe in Outer Space, ...

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Ballet Flamenco Eva Yerbabuena, Sadler's Wells

Ismene Brown Saturday, 19 February 2011

There are gifted dancers and there are creatures of the stage. You know the difference immediately. The latter have something shamanic about them, ageless at any age, almost eccentric in their power. Eva Yerbabuena is one of those very rare creatures, to whom I succumb as helplessly as a rabbit in front of a cobra.

Ballet Boyz, The Talent, Aylesbury

Ismene Brown Tuesday, 15 February 2011

The original Ballet Boyz in Maliphant's 'Torsion': Work made for the F1 partnership is now cunningly relayered for a new generation of Boyz

Aylesbury, a town without a theatre, has built itself one - a gleaming, glass-fronted, smack-you-in-the-eye 1,500-seater, driven and supported by the district council. High Wycombe and Milton Keynes must beware, so thin are the pickings these days for the regional theatres. The pity is that the Ballet Boyz’ show The Talent last night was the only night of decent dance programmed in this amazing new venue for half of 2011.

Shoes, Peacock Theatre

Judith Flanders Tuesday, 15 February 2011

It is perfectly true that, as Arthur Marshall once said of Ibsen, I am Not a Fun One. A party really is a party without me there. And Shoes, now transferred from Sadler’s Wells, is not much of a party, whether I’m there or not.

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American Ballet Theatre, Prog 2, Sadler’s Wells

Judith Flanders Wednesday, 02 February 2011

Jardin aux Lilas is one of ABT’s great calling cards, and it was danced with great seriousness of purpose and devotion by an admirably schooled cast.

American Ballet Theatre, Prog 1, Sadler's Wells

Ismene Brown Tuesday, 01 February 2011

Was it the worst-played and worst-danced performance of Duo Concertant I’ve ever seen? I can’t remember a direr in my experience of quite a few DCs. But then the opening night of American Ballet Theatre’s London tour was a set of fine promises falling flat with a thud. A delicate new sextet ruined by the piano player. A masterpiece of musical ballet murdered by the violinist, the pianist and the ballerina. A cod-ballet duet by Twyla Tharp deflated by an unhumorous leading...

Du Goudron et Des Plumes, Barbican/ Flogging a Dead Horse, Roundhouse Studio

Ismene Brown Friday, 28 January 2011

Five people stand in the dark. A bleak gantry descends with a rumble onto their heads. They scuttle under it and flatten themselves to escape a crushing, but then they get up and start building. The platform is stripped of planks, rebuilt at crazy angles, refashioned while decorating the tasks with acrobatic surprises.

Les Antliaclastes, Institute of Contemporary Arts/ A Guide to Puppetry

Ismene Brown Monday, 24 January 2011

The puppets appearing in LIMF this year are by no means all child-friendly - after the mild kiddy-horror of Teatro Corsario and their hand-manipulated Bunraku creatures, the return of the much more disturbing imagination of Patrick Sims, founder and governing mad scientist of Buchinger’s Boot Marionettes, was my most-looked-for event.

Swan Lake, Royal Ballet

Ismene Brown Sunday, 23 January 2011

The return of the Royal Ballet’s Swan Lake production coincides with the tumult over the film Black Swan, about which the company’s marketing department must be pretty pleased, even if some of the dancers aren’t. The chief surprise for any newcomers drawn to the ballet by the film, obsessing as it does about the leading ballerina, must be how long it takes to meet the Swan Queen at all.

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LIMF: La Maldición De Poe, Purcell Room/ Flesh and Blood & Fish and Fowl, Barbican Pit

Ismene Brown Thursday, 20 January 2011

The up - which I’m sorry not to have reported on before it ended last night - was the Spanish puppetry troupe Teatro Corsario, who made their hour’s strut and fret upon the stage in the Southbank Centre’s Purcell Room a pleasingly diverting wee horror tale, La Maldición de Poe (The Curse of Poe), filled with gory corpses and spectral lighting and awful bloodthirsty characters.