dance
Pina Bausch's Rite of Spring, English National Ballet, Sadler's WellsFriday, 24 March 2017
Is English National Ballet's current predilection for acquiring European repertoire some kind of anti-Brexit statement, or just smart brand positioning? Read more... |
Crystal Pite, Flight Pattern, Royal BalletFriday, 17 March 2017
Can thirty minutes of contemporary ballet say something meaningful about the modern refugee crisis? It has been the surprise of the season to find myself asking this question not once, but twice, at the Royal Ballet. Read more... |
Project Polunin, Sadler's WellsWednesday, 15 March 2017
This is the comeback after the comeback-that-never-was. It's the anticipated full stage ballet after the hugely popular Youtube video. It's the press waiting to see if ballet's bad boy will do something wild. It's the fans waiting to see if Sergei Polunin really will be the second coming (he's often hailed as the modern day Nureyev). Pamela Anderson is in the audience. Read more... |
Tree of Codes, Wayne McGregor, Sadler's WellsWednesday, 08 March 2017
Tree of Codes is a work made from a work made from a work. Read more... |
FLA.CO.MEN, Israel Galván, Sadler's WellsSaturday, 18 February 2017
Before this Sadler's Wells Flamenco Festival-opening performance of Israel Galván's show FLA.CO.MEN, my guest wanted to know what the show would be like. Read more... |
Masurca Fogo, Pina Bausch, Sadler's WellsFriday, 10 February 2017
Tanztheater Wuppertal Pina Bausch are at an interesting juncture. Eight years after their eponymous founder died, and over 40 since she took over at Wuppertal, the troupe is reaching a point when, even if Bausch were alive, it would be facing change, as the older dancers in the company - many of whom have been there since the beginning - enter their late 60s. Read more... |
Giselle, English National Ballet, London ColiseumThursday, 12 January 2017
In the annals of ballet directors, always searching for the perfect balance between heritage programming and new work, there can rarely have been a double whammy so successful. Read more... |
Best of 2016: Dance & BalletMonday, 26 December 2016
The criteria used by theartsdesk's critics in selecting pieces for this list are simple, but demanding: did a piece or a programme stir and shake us? Did it move us, and make us still - weeks or months afterwards - think, yes, I'd go see that again in a heartbeat? Read more... |
Strictly Come Dancing 2016 Final, BBC OneSunday, 18 December 2016
What is light entertainment for? It won’t save the world or heal the sick or bring warring factions to the negotiating table. It’s teeth and smiles and bread and circuses on a Saturday night and it shouldn’t have to bear any greater weight. The Generation Game was never required to offer vital balm during the Three-Day Week. Barrymore didn’t nurse us all through Black Wednesday and Britain’s exit from the ERM. Read more... |
The Red Shoes, Sadler's WellsFriday, 16 December 2016
Anyone expecting a knockout punch from Matthew Bourne’s latest creation is in for a let-down. His hotly anticipated take on Powell and Pressburger’s 1948 film, unlike his Swan Lake, is not going to send anyone out into the night weeping into their hankie. Nor is it likely to turn unbelievers into ballet fans, and yet it is probably his best piece of work to date. Read more... |
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