Exit Lear, pursued by a technical fault | reviews, news & interviews
Exit Lear, pursued by a technical fault
Exit Lear, pursued by a technical fault
Friday, 04 February 2011
Derek Jacobi's Lear, watched by Paul Jesson's Gloucester and Gwilym Lee's Edgar just before the unkindest cut of allJohan Persson
But not for long. The first ever National Theatre Live worldwide screening of a Donmar production came to a halt between great Jacobi's mad musings on archery and toasted cheese; later, pedalling back from Notting Hill against a furious wind, I guessed the reason for the blip. The weather had scuppered Lear's fate, off stage as well as on.
But not for long. The first ever National Theatre Live worldwide screening of a Donmar production came to a halt between great Jacobi's mad musings on archery and toasted cheese; later, pedalling back from Notting Hill against a furious wind, I guessed the reason for the blip. The weather had scuppered Lear's fate, off stage as well as on.
Add comment
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Theatre
Laughing Boy, Jermyn Street Theatre review - impassioned agitprop drama
Strong ensemble work highlights the plight of people with learning disabilities
Minority Report, Lyric Hammersmith Theatre review - ill-judged sci-fi
Philip K Dick’s science fiction short story fares far better on screen
Two Strangers (Carry A Cake Across New York), Criterion Theatre review - rueful and funny musical gets West End upgrade
A Brit and a New Yorker struggle to find common ground in lively new British musical
Testmatch, Orange Tree Theatre review - Raj rage, old and new, flares in cricket dramedy
Winning performances cannot overcome a scattergun approach to a ragbag of issues
Banging Denmark, Finborough Theatre review - lively but confusing comedy of modern manners
Superb cast deliver Van Badham's anti-incel barbs and feminist wit with gusto
London Tide, National Theatre review - haunting moody river blues
New play-with-songs version of Dickens’s 'Our Mutual Friend' is a panoramic Victori-noir
Machinal, The Old Vic review - note-perfect pity and terror
Sophie Treadwell's 1928 hard hitter gets full musical and choreographic treatment
An Actor Convalescing in Devon, Hampstead Theatre review - old school actor tells old school stories
Fact emerges skilfully repackaged as fiction in an affecting solo show by Richard Nelson
The Comeuppance, Almeida Theatre review - remembering high-school high jinks
Latest from American penman Branden Jacobs-Jenkins is less than the sum of its parts
Richard, My Richard, Theatre Royal Bury St Edmund's review - too much history, not enough drama
Philippa Gregory’s first play tries to exonerate Richard III, with mixed results
Player Kings, Noel Coward Theatre review - inventive showcase for a peerless theatrical knight
Ian McKellen's Falstaff thrives in Robert Icke's entertaining remix of the Henry IV plays
Cassie and the Lights, Southwark Playhouse review - powerful, affecting, beautifully acted tale of three sisters in care
Heart-rending chronicle of difficult, damaged lives that refuses to provide glib answers
Comments
...