mon 25/11/2024

Before We Die, Channel 4 review - Lesley Sharp excels as a detective in crisis | reviews, news & interviews

Before We Die, Channel 4 review - Lesley Sharp excels as a detective in crisis

Before We Die, Channel 4 review - Lesley Sharp excels as a detective in crisis

The personal and the professional collide in brutal crime-gang drama

Bristol fashion: Lesley Sharp as DI Hannah Laing

Perhaps inspired by its ever-intriguing Walter Presents strand, Channel 4’s new thriller Before We Die is based on a Swedish original called Innan vi dör (“before we die” in Swedish).

The action has been transplanted to Bristol, whose buildings, bridges and narrow streets have been rendered atmospheric with rich colour textures and stylish visual compositions. The opening credits, with ominously pulsating music and dramatic monochrome portraits of the cast-members, also suggests we’ve stepped away a little from the Brit-TV norm.

Lesley Sharp stars as DI Hannah Laing, who’s reaching a stage in her career where her boss Tina Carter (Rebecca Scroggs) is thinking about parking her in a backroom desk job, even if she insists that all she wants is a juicy new case get her teeth into. However, her lover and fellow-cop Sean Hardacre (Corrie and Emmerdale veteran Bill Ward) is gently suggesting that retirement and a complete change of life might be an attractive alternative for both of them.

But one episode is a long time in a TV-drama life, and all this was blown to pieces when Sean abruptly vanished while supposedly meeting an informant called Issy in Bristol. A bit of instinctive sleuthing enabled enabled Hannah to discover that he’d last been seen outside a dress shop, where he apparently planned to buy the black dress in the window for Hannah. A spot of outrageous good fortune helped her to find a burner phone lying on the pavement, which turned out to be the one Sean had been using to contact Issy.

Some neat plot-knitting sketched in relationships and back-story. Hannah has a son, Christian (Patrick Gibson), who regards her with rage and loathing since she had him arrested for “possession with intent” and earned him 21 months in prison. She has a walking-on-thin-ice relationship with her ex-husband and Christian’s father Nick (David Annen), though big-hearted Sean has been making big efforts to encourage Christian and point him towards the straight and narrow on his release from jail. Sharp conveys Hannah's emotional scars with a sad and weary stoicism, and the show's evocation of how the baggage accumulates with advancing years is one of its strongest features.

However, Sean wasn’t happy to learn that Christian was taking a job as a restaurant dish-washer, offered to him by a drug dealer called Stefan who he met in prison. Stefan and his menacing Serbo-Croat family are persons of interest to Sean, who’s been investigating drug smuggling from Eastern Europe. You can guess who’s behind Sean’s disappearance (pictured below, Peter Cvirn as Stefan and Patrick Gibson as Christian).

If we see Sean again it’ll only be in flashbacks, after the gruesome treatment meted out to him by the thuggish Serbo-Croats, and the Balkan tentacles reach far and wide. Hannah’s ex-husband Nick (surname Radic) fled to England from the Balkan wars, while her mysterious colleague Billy Murdoch (Vincent Regan, sporting a Billy Connolly-esque Scottish accent) has also been embroiled in Serbo-Croatian affairs, possibly as an intelligence agent. All on the QT and strictly hush-hush.

It seems that heartbroken Hannah and traumatised Christian are now battling a mutual enemy, with Christian dangerously inside the belly of the beast. This was a tense and powerful opener, so let’s hope the remaining five episodes keep turning up the heat.

Comments

Have I been watching the same series as you? The English version is insipid by comparison with the original. Lesley Sharp looks as though she is reading an autocue, such is her slow deliberate delivery. She is utterly unconvincing partly because the script hands her some truly cliched lines. Admittedly the Swedish version is 10 episodes so the plot develops with more tension with better balance & supported by fine performances. Please Channel 4 do not do Series 2

I agree about Lesley Sharps acting - readingingredients from a cereal packet. Too much staring into infinity and gazing into mirrors - also completely pointless swearing. The best actors were the criminals. Do not need any more of this quality TV

I totally agree about Lesley Sharp's acting and delivery in this "drama". Usually I look forward to watching shows that she is in as she is a fine actress....but not in this! Slow, unconvincing and sounding oh so bored, so much so that I began to dread the sound of her voice. Dear me

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters