Comedy Reviews
Catherine Cohen, Brighton Komedia review - songs and New York sassThursday, 09 February 2023
Catherine Cohen made quite an impact at the 2019 Edinburgh Fringe, where she won best newcomer in the Edinburgh Comedy Awards for The Twist? She's Gorgeous. Global events have delayed her follow-up and a UK debut tour, but here it is, and Come For Me was worth waiting for. Read more... |
Lucy Porter, Cambridge Junction review - making light of a midlife crisisMonday, 23 January 2023
A lot has been happening in Lucy Porter’s life since she last toured. The pandemic we all know about, so she doesn’t detain us to recount her lockdown woes; they get merely tangential mentions in Wake Up Call as she talks about more recent events which included a health scare leading to something of a midlife crisis. Read more... |
Alex Edelman, Menier Chocolate Factory review - London run for unmissable off-Broadway hitSaturday, 21 January 2023
At one point in this brilliantly constructed and performed set, Alex Edelman ponders on the catchment area for his comedy and figures it might be the Upper West Side of Manhattan. Nah: this is comedy that can talk to anybody with a brain. Read more... |
Best of 2022: ComedyFriday, 30 December 2022
In 2022 we were finally able to welcome back the first “proper” Edinburgh Fringe since 2019. While I was disappointed that a few established comics – they know who they are – hadn't used the enforced layoff from live comedy to, you know, write new material, I was delighted to see others who had very obviously done so – and produced really memorable work. Read more... |
A Christmas Carol-ish, Soho Theatre review - Mr Swallow causes havoc againThursday, 15 December 2022
At this time of year you can't move for productions of A Christmas Carol, Dickens' seasonal morality tale. Some are brilliant, some so-so, but this one by the power-crazed impresario Mr Swallow, whose ambition always exceeds his talent, is a joy. Read more... |
Tom Ward, Brighton Komedia review - offbeat observational gagsMonday, 12 December 2022
Tom Ward does his audience research at the top of the show, asking fairly mundane questions about their ages and where they live before he poses an unexpectedly pointed “Who is in an open relationship?” It's the beat before “They're aware of...” that makes it a killer joke. Read more... |
Sara Pascoe, Assembly Hall, Tunbridge Wells review - motherhood and the perils of fameFriday, 25 November 2022
Sara Pascoe comes on stage to tell us there has been a small wardrobe malfunction. She's made an effort and is wearing something glitzy, but it restricts her movement in one direction and gives too much in another. Should she go and change into something comfortable but a bit grungy? Read more... |
Jerry Sadowitz, Eventim Apollo review - brilliantly darkFriday, 18 November 2022
If anyone in the audience at the Eventim Apollo was expecting Jerry Sadowitz to rein things in after the spot of bother he ran into at the Edinburgh Fringe in August, then they were quickly disabused. Read more... |
Helen Bauer, Soho Theatre review - rollicking show about how to be a modern womanSaturday, 05 November 2022
Confidence, says Helen Bauer, is a good thing. As a woman who casts herself as the leading lady in any situation, including funerals, she has oodles of it – as well as bucketloads of energy in a show that starts with a declaration of intent: “I'm going through a very confident phase and I think you should be there for me.” The audience is on board straight away, such is the force field she exerts from the moment she walks on stage. Read more... |
Dave Gorman, Touring - comic in skittish moodThursday, 20 October 2022
Although PowerPoint has been around since 1987, and several comics have incorporated it into their shows, it's Dave Gorman who remains king of the form. Read more... |
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