wed 08/01/2025

Comedy Reviews

Derren Brown: Svengali, Shaftesbury Theatre

Veronica Lee Derren Brown: Witty and urbane performer who never humiliates his on-stage subjects

Derren Brown is witty, urbane, clever and a keen student of what makes humans tick - which must come as a huge advantage when you are developing an evening’s entertainment based on kidology. He makes it clear he’s not a psychic or clairvoyant and that there is a rational explanation for everything he does in his two and a half hours on stage, and indeed describes himself as “Illusionist, mentalist and sceptic” - I imagine emphasis is on the sceptic.

Read more...

Jerry Seinfeld, O2 Arena

Veronica Lee

Jerry Seinfeld, acclaimed New York stand-up and star of the eponymous American sitcom co-created with Larry David, last performed in the UK 13 years ago. He’s currently doing a brief European tour and, while keen fans were quick to snap up tickets at the O2 in London, there were noticeably bare areas in the vast arena last night. Lots of British comics have managed to sell out the O2 (some repeatedly), but those unsold seats should come as no surprise; ticket prices started at £75 and went...

Read more...

John Cleese, Touring

Veronica Lee John Cleese: An engaging raconteur who says his success is down to good luck

Even if you are not of an age to have watched Monty Python’s Flying Circus or Fawlty Towers when they were first broadcast by the BBC, you will have heard of John Cleese. And if you are remotely a fan of comedy, you will hold Cleese in high regard as he is a writer, performer and actor of great talent, and this show, an overview of his life and career, proves it beyond argument.

Read more...

Nina Conti, Menier Chocolate Factory

Veronica Lee Monkey talk: Nina Conti and Monk, one of her puppets

You don’t see much ventriloquism these days. It’s a comedy form mostly associated with variety and Victorian music hall - although it goes back at least to the Greeks - and gives a lot of people the heebie-jeebies. I know several people who can’t watch Michael Redgrave’s chilling performance as the unbalanced ventriloquist Maxwell Frere, who believes his dummy is alive, in the 1945 Ealing horror film Dead of Night. And it’s Psych 1.01 to appreciate there may be some serious...

Read more...

Des Bishop, Soho Theatre

Veronica Lee Des Bishop: An outsider’s acutely observational view of people and their foibles

As the audience files in, James Bond title songs accompany a looped clip from On Her Majesty’s Secret Service, which was George Lazenby’s sole outing as 007. There’s a reason, as this funny, touching but wholly unsentimental show is a sort of comic tribute to Des Bishop’s father, Mike, who auditioned for the role after Sean Connery hung up his Walther PPK in 1968.

Read more...

Tim Vine, Touring

Veronica Lee

Normally, comedy critics maintain the polite convention of not writing comics’ jokes in reviews - it spoils the fun for punters if they then see the show and already know the punchline. But even if this review was peppered with gags from Tim Vine’s Joke-amotive, they would represent only a tiny percentage of the astonishing number of funnies he gets through in his set.

Read more...

Micky Flanagan, touring

Veronica Lee Micky Flanagan: Observational comic who slips in social comment among surreal invention

Micky Flanagan was a jobbing club comic for a few years before he shot to stardom with his first full-length Edinburgh Fringe show in 2007, for which he was nominated for a newcomer award at the grand age of 42. The show, What Chance Change?, charted his move from working-class herbert (or ’erbert in Flanagan’s deliciously cockney pronunciation) into middle-class ponce, now living in leafy suburbia and au fait with all things delicatessen, including sundried tomatoes and £5 loaves...

Read more...

Andy Parsons, O2 Indigo

Jasper Rees Andy Parsons: Does swearing make him too happy?

Andy Parsons can do angry, baffled, sarky. He can have a swing and hit a bullseye. Take this, Alan Sugar. Take that, Ryanair. But you wonder, is he too happy for greatness? The title of the show he’s currently touring hints at a cheery disposition. Gruntled, leaving off the negative prefix, begrudgingly suggests an essentially contented world view. So...

Read more...

Bryony Kimmings/ Shazia Mirza, Soho Theatre

Veronica Lee Bryony Kimmings: Her act includes a catchy song about words and phrases for the vagina

At first sight there seems to be little to connect these two comics - one a performance artist who spends much of her show in her underwear, the other a self-described 34-year-old virgin - who are touring with their 2010 Edinburgh Fringe shows, except that they are both currently appearing in the same studio space at the Soho Theatre in London. But having been underwhelmed after seeing their shows back to back, I see similarities - my notes contain the common scribblings “weak material” and...

Read more...

Scott Agnew, The Stand, Glasgow

Veronica Lee Scott Agnew: The 6ft 5in Glaswegian likes long stories

Scotland certainly loves its comedy. In addition to the month-long bliss that is the Edinburgh Fringe, just along the M8 Glasgow has been providing its own few weeks of fun since 2003. Their comedy festival has a very different feel to it - less of a comics’ gathering (they do one-nighters rather than residencies) and more of a busy schedule - but it’s all very enjoyable even so. Last night I saw local boy Scott Agnew, a 6ft 5in gay Glaswegian - not a phrase I have the opportunity to write...

Read more...

Pages

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: Snoop Dogg - Missionary

Sometimes magic really can’t be...

Blu-ray: The Hop-Pickers

Czech theatre theorist Ivo Osolsobě’s tick-list for what constitutes an "authentic" musical is quoted in this release’s booklet. Namely that the...

Liepe, National Youth Orchestra of Ireland, NCH, Dublin revi...

There’s nothing like an anodyne new(ish) work to give a masterpiece an even higher profile. Rachel Portman‘s Tipping Points, promising to...

Albums of the Year 2024: Chihei Hatakeyama & Shun Ishiwa...

A gem for me this year has been the collaborative project between the veteran minimalist composer Chihei Hatakeyama and jazz...

Music Reissues Weekly: American Baroque - Chamber Pop and Be...

The descending refrain opening the song isn’t unusual but attention is instantly attracted as it’s played on a harpsichord. Equally instantly, an...

Nickel Boys review - a soulful experiment

RaMell Ross’s feature debut follows his poetic documentary Hale County This Morning, This Evening (2018) in again observing black...

Lockerbie: A Search for Truth, Sky Atlantic review - Colin F...

The destruction of Pan Am flight 103 over Lockerbie on 21 December 1988 was one of the ghastliest events in what would become known as the War on...

Albums of the Year 2024: The Last Dinner Party - Prelude to...

Does absolutely everything have to get more difficult with each passing year? Apparently so. The amount of time I’ve spent deciding which of the...