Comedy Reviews
Jon Richardson, Soho TheatreMonday, 22 November 2010
Jon Richardson’s first full-length show in 2007, Spatula Pad, was about the seemingly unpromising subject of having obsessive compulsive disorder, and being a misanthrope to boot. But it deservedly gained him an If.Comedy Award Best Newcomer nomination, which was followed by another in the main category of the Edinburgh Comedy Awards for last year’s show, This Guy at Night, about how his perfectionism has ruined his relationships. Read more... |
Bill Bailey, Wyndham's TheatreWednesday, 10 November 2010
By chance, two comics with a penchant for rock‘n’roll have been strutting their stuff at opposite ends of the capital in the same week. First, Bolton funnyman Peter Kay was giving it his all on stage at the O2 on the Greenwich peninsula, and now Bill Bailey begins a two-month-long residency at the Wyndham’s Theatre in the West End. Music buffs both - but in Bailey’s case there are no air guitars as he... Read more... |
Peter Kay, O2Sunday, 07 November 2010
Only part-way through a mammoth stadium tour that began last April and continues until next autumn (and which he insists will end on 15 October at the MEN Arena in Manchester, where he once worked as an usher), Peter Kay is still having to add dates as they sell out almost the instant they're announced. He’s a phenomenon that even Michael McIntyre and Jimmy Carr - no slouches in stadium-show sales themselves - must be envious of. Read more... |
Frankie Boyle, Hammersmith ApolloMonday, 01 November 2010
The last time I saw bouncers standing at the foot of the stage at a comedy venue was at a Roy "Chubby" Brown gig. Back then, I remarked how nicely behaved his fans were, as indeed were Frankie Boyle’s last night; however, another quality the two comics share is that they both score pretty highly on the offensiveness scale. Read more... |
Stewart Lee, Leicester Square TheatreFriday, 29 October 2010
Stewart Lee is pretending to be mildly crap. He keeps discussing how he is none too funny, but the point is that his commentary on his own shortcomings thereby turns into a droll running gag. He achieves this with deadpan relish. His delivery is, of course, characteristically sardonic, albeit with an amused glint in the eye. He also frequently stops to spell out how the mechanics of his routine are supposed to be working: po-faced mini-lectures on the art of being hilarious. Read more... |
The Boy With Tape On His Face, TouringSunday, 24 October 2010
The mistake was probably that I hadn’t tanked up beforehand. Clues were there. Soho Theatre is over a pub. 9.45pm start. Who’s going to turn up in those circumstances completely sober? Who would be mad enough to turn up in Soho at 9.45pm stone-cold sober? And a four-star Edinburgh Fringe show had not necessarily been assessed by altogether un-punchdrunk viewers, lurching as they do (and I have done) between five shows a night. Read more... |
Greg Davies, Bloomsbury TheatreFriday, 22 October 2010
Greg Davies is a comedian who laughs along to his own material. A conspiratorial look glints in his eye, a hint of fruity mischief plays on his lips. The adage that you should never be amused by your own punchlines is, of course, a tall tower of rubbish – different jokes for different blokes – but Davies’s enjoyment of his own routine begs a couple of questions. Is it as funny as he thinks it is? Or is it funny because he thinks it is? Read more... |
Lee Nelson, touringMonday, 18 October 2010
There’s just the one joke with Lee Nelson. When I caught a short slice of him earlier this year the joke more than filled the available slot. Nelson has since been granted his own show on BBC Three. Now that he’s out on tour, the question arises of how much celebration of chavs, benefit cheats, petty tea-leaves and other totally amoral representatives of Broken Britain you can stomach before the grin starts to get a little fixed. Read more... |
Adam Hills, Soho TheatreSaturday, 16 October 2010
It’s an interesting concept that Adam Hills has come up with for his latest show, Mess Around. The ever-smiling and hugely likeable Australian - a longtime sellout hit at the Edinburgh Fringe but who has yet to make a broader breakthrough like his peers - is a past master of audience interaction, so why not ditch the material and make that the show? Read more... |
Russell Kane, TouringMonday, 11 October 2010
Russell Kane, a thoroughly deserving nominee, was the surprise winner of the Edinburgh Comedy Award (ECA) - the bookies’ money was on young American Bo Burnham - with a show that explores his troubled... Read more... |
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