Comedy Reviews
Simon Munnery, Soho TheatreSaturday, 14 January 2012
Bubbles are emanating from Simon Munnery's head. They're streaming out of a huge, black stovepipe hat which he has cobbled together from cardboard and sticky tape. He has also slung an electric guitar over his shoulder as he sidles up to the mic to begin Hats Off to the 101ers, and Other Material. What does he look like? A cranky mishmash. Kids' entertainer or mad Victorian undertaker? Read more... |
2011: Tinker Tailor Minchin SheenMonday, 02 January 2012
On Easter Monday, as the sun came down over the sea, a crowd of 15,000 – it’s not quite right to call them theatre-goers – followed Michael Sheen as he dragged a cross to Port Talbot’s own version of Golgotha, a traffic island hard by Parc Hollywood. The culmination of a three-day epic, The Passion of Port Talbot was street storytelling at its most transformative. Read more... |
2011: Morrissey, Manics and the Resurrection ShuffleSaturday, 31 December 2011
I have always fought hard to resist nostalgia, but 2011 was the year when I succumbed. Maybe the present – and the future – was just too awful to contemplate, but I found myself constantly looking back. Whether it was onstage, onscreen or on a hand-held device the past seemed to provide the requisite cultural comfort food. Dessau Towers remains a dubstep-free zone. Read more... |
Dick Whittington, New Wimbledon TheatreFriday, 16 December 2011
You know what to expect from an audience with Dame Edna Everage. The London-loving Merry Widow of Moonie Ponds can be trusted to hurl her gladdies, patronise the paups in the cheap seats, dish out tough love to a lesser suburban housewife and lead a paean to her "niceness". But this is not a panto which simply grovels at the feet of her colonial highness. Read more... |
Set List, Soho TheatreSunday, 04 December 2011
Every year at the Edinburgh Fringe there's a sleeper hit, or a show that promises little on paper but delivers big time in the flesh, and this year's unexpected success was Set List, a kind of improv for stand-ups, which has also been called “comedy without a net” or “like flying without wings”. Read more... |
Stewart Lee, Leicester Square TheatreThursday, 24 November 2011
Stewart Lee is in Eeyorish mood. The BBC have not yet got round to recommissioning his acclaimed television show. They have been more bountiful, he grumbles, with Russell Howard, and you can hear the older man’s withering scorn for the younger, blonder cherub contractually obliged never to step away from the cameras. On the plus side, he is in residence at this cosy but capacious theatre until February, a booking that only the promise of television audiences can gift. Read more... |
Richard Herring, Soho TheatreWednesday, 16 November 2011
Those of a certain vintage will know Richard Herring's irreverent comedy best from his BBC television work with erstwhile partner Stewart Lee - including Fist of Fun (1995-96) and This Morning with Richard Not Judy (1998-99) - while newer fans will be familiar with his radio work and podcasts. |
Sarah Millican, TouringSunday, 13 November 2011
In an age when comics are doing shows with theatrical content or presented with a degree of technological sophistication, and they appear on stage expensively coiffed and suited, it's refreshing to spend an evening in Sarah Millican's company, whose show at times feels like we're having a chat over the garden wall. It's also pleasing that someone who just a few years ago was a jobbing club comic is now enjoying the sort of success her talent so richly deserves. Read more... |
Omid Djalili, TouringTuesday, 01 November 2011
After a busy few years away from stand-up – although never off our film and television screens – Omid Djalili bounds back on stage for his new show, Tour of Duty, and as one of our more intelligent and thoughtful comics, he's welcome back. The show, which I saw at the New Victoria Theatre in Woking, has a high political content and much to recommend it, even if at times it feels like a work-in-progress. Read more... |
Russell Kane, TouringMonday, 31 October 2011
There's nothing like winning a gong to rock your world. Last August, Russell Kane won the prestigious Edinburgh Comedy Award for his Fringe show and his level of celebrity skyrocketed. But within a few months his marriage broke down - and the resulting introspection provided the starting point for a very fine show, Manscaping, which I saw at the Palace Theatre in Westcliff-on-Sea. Read more... |
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