Comedy Reviews
Matt Forde, Touring review - politics, poo and ViagraSaturday, 08 March 2025
Matt Forde gives a warning: “Don’t heckle the disabled – that’s a hate crime.” What an opener for his latest touring show, The End of an Era, which I saw at the Oxford Glee Club. To explain: in 2023 the back pain that Forde thought was sciatica turned out to be spinal cancer. Major surgery that included severing nerves in his nether regions followed, and post-surgery he now uses a stoma bag and self-catheterises. Thankfully Forde has recovered. Read more... |
Help to give theartsdesk a future!Saturday, 01 March 2025
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com. It followed some hectic and intensive months when a disparate and eclectic team of arts and culture writers went ahead with an ambitious plan – to launch a dedicated internet site devoted to coverage of the UK arts scene. Read more... |
Harry Hill, Wilton's Music Hall review - madcap comic on terrific formMonday, 24 February 2025
Harry Hill reminds us at one point during his latest touring show that he’s 60, but there’s no let-up in the energy he brings to New Bits and Greatest Hits, a pleasing mixture of old and new material showing he still packs a punch on stage. Read more... |
Nina Conti: Whose Face Is It Anyway?, Brighton Dome review - a melee of jubilant spontaneityMonday, 10 February 2025
“I really am the repository for all your shit,” Nina Conti’s famous Monkey hand puppet tells her. Monkey may have a point. Read more... |
Amy Gledhill, Soho Theatre review - delightfully bawdy take on serious subjectsMonday, 03 February 2025
At the 2024 Edinburgh Fringe, Amy Gledhill won best show for Make Me Look Fit on the Poster, ostensibly a cheery collection of stories about the weird and wonderful things that happen to her. But under the guise of feelgood comedy with herself as the butt of many of the gags, Gledhill cleverly weaves in a thoughtful study of female body image and self-esteem. Read more... |
Russell Howard Live at the Palladium review - feelgood philosophy with added smutWednesday, 29 January 2025
This special, available for a limited time only, acts as a sort of appetiser for the next leg of a mega tour that started in 2023, and still has some months to run. The comic played 13 nights in London on the UK leg and the hour-long Russell Howard Live at the Palladium is taken from those dates. Read more... |
Ben Elton, Duke of York's Theatre review - big subjects, big laughsMonday, 20 January 2025
Ben Elton loves a scrap. The Motormouth of yesteryear, who made his name attacking Margaret Thatcher and her policies (and being attacked by the right in turn) now wades into so many frothing hot topics – gender politics, assisted dying and the age divide among them – that one has to assume he loves pushing people's buttons. Read more... |
Chris McCausland, Winchester Theatre Royal review - Strictly winner as cheerfully cynical as everThursday, 16 January 2025
By all accounts Chris McCausland had to be persuaded to take part in the most recent series of Strictly Come Dancing, which he won with his professional partner Diane Buswell. It would be a commendable achievement for any non-dancer, but for a blind man it was remarkable, and made a huge emotional impact with viewers who warmed not just to his efforts but also his cheerful demeanour. Now, McCausland is back to the day job as a comic. Read more... |
Gala Preview Show, De Montfort Hall review - Leicester Comedy Festival nicely teed upMonday, 13 January 2025
Europe's biggest comedy festival, which showcases established stars, works in progress, workshops and competitions, kicks off next month, and this gala show certainly whetted our appetites for its 700-plus events. It was hosted by the nimble-witted Maisie Adam. Read more... |
Best of 2024: ComedyMonday, 30 December 2024
Looking back over the past 12 months, it struck me how it has been the shows fashioned from personal stories that have stayed with me. It wasn't simply that the comics could make very good jokes about their travails or embarrassments, but that the material had a strong ring of authenticity. There's nothing wrong with delivering other people's gags (plenty of top-flight performers do it, of course) but when it rings true, it's somehow funnier. Read more... |
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