Classical music
Judith Webster
Music resonates with everyone. It plays a powerful and evocative role in people’s lives; it punctuates our memories and changes our mood. We can all remember our first album and the songs our parents and grandparents listened to. One of the first ways that we teach very young children is through singing and nursery rhymes. From that point onwards music continues to soundtrack our lives.A recent survey by the IFPI shows that 54% of young people around the world describe themselves as music fanatics. Not only that – the increasing use of streaming sites means music is more accessible than it’s Read more ...
Robert Beale
Everyone’s doing Weinberg now, or so it seems. The Polish-born composer who became a close friend of Shostakovich was born 100 years ago, and there’s plenty of his music to go round. Raphael Wallfisch gave the UK premiere of his Cello Concertino (Opus 43B), with the Northern Chamber Orchestra in Manchester last night. The “B” is not insignificant – it’s a reworked and shortened version of his Cello Concerto of 1948, scored for string orchestra accompaniment only, and wasn’t published until two years ago.At 16 minutes in length but still with four movements, the piece is certainly an Read more ...
graham.rickson
Weinberg: 24 Preludes Gidon Kremer (violin) (Accentus)Weinberg wrote this set of 24 instrumental numbers in 1969 for Rostropovich. Exactly why Rostropovich never performed them isn't clear, and they weren't heard in public until 1996. Gidon Kremer's transcriptions for solo violin were completed in 2015, his hope being that “these personal statements of one of the most wonderful composers of the 20th century will inspire listeners to fall in love with this music.” I'd point newcomers to Weinberg in the direction of his 3rd Symphony, or DG’s recent CBSO disc with Mirga Gražinytė-Tyla Read more ...
Jessica Duchen
The Chineke! Orchestra, founded by double-bassist Chi-chi Nwanoku as the first majority BME orchestra in the UK, is heading off this week on a substantial European tour, which began last night at the Queen Elizabeth Hall. Since the organisation has a strong track record in promoting rare music by composers of colour, this looked at first like a relatively conservative programme, topped and tailed with Weber’s Oberon Overture and Brahms’s Second Symphony. But the gem of the evening was the Violin Concerto by Samuel Coleridge-Taylor - and if you have heard it and puzzled over why it, too, is Read more ...
Boyd Tonkin
Mozart’s piano concertos often overflow with good humour, but you seldom expect to hear a hearty chuckle from the audience in the middle of a performance of one. Yet something close to a guffaw burst out around King’s Place when soloist Tom Poster, deep into the last-movement cadenza of Mozart’s Piano Concerto No. 19 in F major, suddenly quoted Gershwin’s Rhapsody in Blue. Poster had played the Gershwin before the interval of this typically smart, eclectic and thought-provoking programme from the Aurora Orchestra under Nicholas Collon.Its cheeky echo in the midst of Mozart’s drolly ingenious Read more ...
'These were the quartets that made us fall in love with the genre': Dudok Quartet Amsterdam on Haydn
Dudok Quartet Amsterdam
As a string quartet, it’s not easy to distinguish yourselves from others. There are so many string quartets playing the great repertoire, and the level of quartets has never been as high as it is now. Everybody is trying to be unique.We are all part of a very long string quartet tradition. We have so many examples of great string quartets, so many fantastic recordings, so many people that played the same pieces. If you really want to distinguish yourself as a string quartet, would it not it be clever to step away from the core repertoire, to look for other opportunities?We have been thinking Read more ...
Christopher Lambton
To hear Neeme Järvi conduct the Royal Scottish National Orchestra is to witness one of the great musical partnerships, one that has evolved into an enduring friendship. It was in 1984 that the Estonian Järvi was appointed to succeed Sir Alexander Gibson as the then SNO’s principal conductor; as a BBC technician at the time I remember his first radio interview with BBC Scotland – this unknown conductor, from an almost forgotten Baltic state, seemed shy and awkward in front of the microphone and struggled in faltering English to articulate his vision for the orchestra. But what a difference he Read more ...
graham.rickson
Haydn: Opus 20 String Quartets, Nos 2, 3 & 5 Dudok Quartet Amsterdam (Resonus)When discussing Haydn’s music it's difficult to avoid using words like ‘elegant’, ‘witty’ and ‘brio’, but I'll do my best. The writer E.T.A Hoffman should shoulder much of the blame for Haydn's typecasting as a simple-minded funster, arguing in 1810 that “his symphonies lead us… to a merry, colourful throng of happy mortals.” Hmm. Two of the three string quartets on this disc are in minor keys. All three are as striking, and as dramatic as anything in the classical chamber repertoire. Exactly what you'd Read more ...
David Nice
For the first 20 or so minutes and the second encore of this generous recital, I turned into a Trifonite, in thrall to the 28-year-old Russian pianist's communicative powers. Has Scriabin, in an imperious sweep from early to late, ever made more consistent sense? Could anyone else transcribe the opening sleigh-ride into mysticism and back of Rachmaninov's "choral symphony" The Bells, his most lustrously orchestrated movement, and come out shining?Even when he's bending the music to his own seemingly mercurial will, Trifonov is never less than watchable and worth hearing, though whether his Read more ...
Gavin Dixon
Mieczysław Weinberg – where to begin? The composer died in obscurity in 1996, but his music has enjoyed a huge surge in popularity over the last ten years, culminating in this year’s global celebrations for the centenary of his birth. His music is lyrical and deeply expressive, but audiences can be forgiven for not knowing quite what to make of him. He was immensely prolific, and his works are diverse, yet a distinctive voice runs throughout them.Weinberg was a Polish Jew who spent most of his life in Moscow, and, depending where we look, we find Polish, Jewish and Russian influences. He was Read more ...
David Nice
The Apostles is a depressing work, mostly in a good way. Elgar's one good aspirational theme of mystic chordal progressions is easily outnumbered by a phantasmal parade of dying falls, hauntingly shaped and orchestrated. After The Dream of Gerontius, this ostensibly more clear-cut oratorio has less sense of form; it's fragmentary or modern, according to taste. I doubt, even so, if a better argument could be made for it than that from last night's team and its keen guide, Martyn Brabbins – a more flexible shaper, let's be honest, than the admirable champion of the work he was replacing, Mark Read more ...
Gavin Dixon
This recital finds Angela Hewitt nearing the end of her “Bach Odyssey”, a project to perform all of Bach’s keyboard works, in five cities around the world, between 2016 and 2020. That’s an impressive feat, especially as she performs from memory. Here she presented the English Suites Nos. 4-6, plus an early Sonata, BWV 963.At first glance, none of these works have immediate audience appeal. The English Suites, although mostly based on dance forms, are elaborate contrapuntal constructions, long and with little melodic character. But they proved an ideal vehicle for Hewitt’s pianism, the Read more ...