Classical Reviews
Olga Borodina, Dmitri Yefimov, Barbican HallSaturday, 08 October 2011
In Italian opera, where lustrous Verdi mezzos are rare indeed, Olga Borodina tends to a first-the-music-then-the-words approach. In Russian song, the sole focus of last night's Barbican recital until the second encore, her classy, naturally inflected and beautifully coloured realisation of great as well as more generic native poets leaves you in no doubt what you're supposed to feel and think. Read more...
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Pierre Boulez Weekend, Southbank CentreMonday, 03 October 2011
William Glock once claimed that Pierre Boulez could literally vomit at music he believed to be substandard. I wonder what he would have made of my friend, who fled at the interval of the opening concert of the Southbank festival on Friday blaming Boulez's Domaines for setting off a panic attack. Read more... |
Classical CDs Weekly: Tchaikovsky, Shostakovich, Weir, Lockenhaus FestivalSaturday, 01 October 2011
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Coote, Vinke, Philharmonia, Maazel, Royal Festival HallFriday, 30 September 2011
It was bound, in vocal terms, to be a case of Beauty and the Beast. Stefan Vinke, though useful for killer heroic-tenor parts like this one in Mahler’s Song of the Earth, has made some of the ugliest sounds I’ve heard over the past few seasons, ineffable mezzo Alice Coote many of the loveliest, and with great communication, too. Read more... |
Mahler 2, BBCPO, Mena, Bridgewater Hall, ManchesterSunday, 25 September 2011
After producing an overwhelming performance of Mahler’s colossal Second Symphony, rewarded by a 10-minute standing ovation from a packed house, the new chief conductor of the BBC Philharmonic could not be accused of easing himself into the job. One might have thought that Juanjo Mena (pronounced Huanho Mayna, being Basque) might have started off with a splash of Spanish colour, with Rodrigo and De Falla, which must be in his blood. But no, although that will come in his next concert. Read more... |
Classical CDs Weekly: Bach, Varèse, GiuliniSaturday, 24 September 2011
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Schubert Recital 2, Christian Gerhaher, Gerold Huber, Wigmore HallFriday, 23 September 2011
Some great singers know how to modulate their beautiful instruments for long vocal life; others push technique and expression to the limits in countless concerts of a lifetime before burnout. Baritone Christian Gerhaher, it seems, belongs to the beautiful and the secure. Read more... |
Leiferkus, LPO, Jurowski, Royal Festival HallThursday, 22 September 2011
How odd that Musorgsky, a composer sanctified beyond his very individual deserts for making social statements in his art, should be feted by an orchestra, or rather an orchestral management, which says music and politics don't mix. Read more... |
Christian Gerhaher, Gerold Huber, Wigmore HallWednesday, 21 September 2011
The queues weren't quite Proms-sized but they were long enough for the little old Wigmore Hall to seem more than a little overwhelmed. Expectations were immense. The past year has seen baritone Christian Gerhaher cast a singular spell over London audience, through his introduction of a touch of intense Lieder-style intimacy to the orchestral and operatic stages. |
St Matthew Passion, National TheatreTuesday, 20 September 2011
It’s not like we’re short of operas. Thousands of works spanning over 400 years make up the western operatic repertoire. Of these maybe 100 get a regular airing in contemporary opera houses, with only about 20 making it into the popular consciousness. For the rest, a trip outside the archives is rare indeed, with many scores still vainly awaiting their “modern premiere”. Read more... |
Tchaikovsky: Piano Trio in A minor; Shostakovich: Piano Trio in E minor David Trio (Stradivarius)
Bach: The Well-Tempered Clavier, Books 1 and 2 Roger Woodward - piano (Celestial Harmonies)Pages
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