sun 22/06/2025

Classical Reviews

Jansen, London Philharmonic, Vänskä, Royal Festival Hall

Geoff Brown

Noticed that nip in the air recently? The reason now is obvious: conductor Osmo Vänskä, the brisk wind from Minnesota, has blown into town, challenging London’s orchestral musicians to give beyond their best and uncover new layers in repertory works they previously assumed they knew backwards.

Read more...

Rysanov, BBC Symphony Orchestra, Bělohlávek, Barbican Hall

David Nice

When telling a complex musical story, handle with care. Interpreters need have no fear of composers who find selective, tone-friendly angles in their literary sources, like Janáček with Gogol’s Taras Bulba in last night’s searing finale, or Zemlinsky with Andersen’s The Little Mermaid, the saturated climax of the previous evening.

Read more...

Orchestre Révolutionnaire et Romantique, Gardiner, Queen Elizabeth Hall

alexandra Coghlan

We all know the question at issue last night at the Young Vic where Hamlet was opening, but down the road in the Queen Elizabeth Hall it was one of applause. Clapping between movements is a well-worn topic; we’ve had editorial, essays, even an RPS lecture devoted to the subject with no resolution in sight. Every year the Proms reminds us of the natural release a good clap can provide after a monumental first movement, and every year we return to our hands-clenched ways afterwards....

Read more...

Davies, London Symphony Orchestra, Zhang, Barbican Hall

David Nice

Highly finished literary tales of doomed nixies, like Hans Christian Andersen's The Little Mermaid, seem to have prompted reams of bad art but plenty of mellifluous music. Not even all of that is on the same level.

Read more...

Classical CDs Weekly: Fauré, Mahler, Choir of Merton College

graham Rickson


Faure's RequiemFauré: Requiem Chœur de l’Orchestre de Paris, Orchestre de Paris, Paavo Järvi, with Philippe Jaroussky (counter tenor), Matthias Goerne (baritone) (Virgin Classics)

Read more...

Jeanne d'Arc au Bûcher, London Symphony Orchestra, Alsop, Barbican Hall

Igor Toronyi-Lalic

Honegger's gaudy 1935 meditation on the life of Joan of Arc - which we witnessed in concert last night at the Barbican - is an untidy flea market of meretricious musical ideas. The work's only value lies in it being able to make one understand why the likes of Pierre Boulez felt forced to make their postwar musical revolutions so sweeping and so violent.

Read more...

Duke Bluebeard's Castle, Philharmonia Orchestra, Salonen, Royal Festival Hall

Edward Seckerson

Sometimes the most disturbing images exist only in our imaginations - and so the questions posed in the preface to Bartók’s operatic masterpiece Duke Bluebeard’s Castle become especially pertinent: “Where did this happen - outside or within? Where is the stage - outside or within?” The answers, surely, lie “within”, making the prospect of a “semi-staged” climax to Esa-Pekka Salonen’s Philharmonia Bartók series, Infernal Dance, a potentially troubling one.

Read more...

Classical CDs Weekly: Dvořák, De Falla, Music Makes a City (DVD)

graham Rickson

 

Serebrier's Dvorak 9Dvořák: Symphony No 9, Czech Suite, Two Slavonic Dances Bournemouth Symphony Orchestra/José Serebrier (Warner Classics)

Read more...

Komsi, BBC Symphony Orchestra, Oramo, Barbican Hall

David Nice

With Riccardo Chailly's Leipzig Beethoven series well into its capacious stride, another cycle of symphonies keeping unusual company begins. This one featuring the BBC Symphony Orchestra will take longer and features six conductors, four of them known masters of their subject, chimerical Sibelius.

Read more...

WNO Orchestra, Koenigs, St David's Hall, Cardiff

stephen Walsh

“Blessed are the dead”, sings Brahms in the final movement of his German Requiem. And as far as the rest of this concert was concerned it was perhaps just as well. In Mahler’s Kindertotenlieder, the children are all dead; and in Schoenberg’s Survivor from Warsaw everyone else has passed on except, of course, the survivor. The audience was not so much dead as largely absent, frightened off, I suppose, by the dreaded Arnold.

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Outrageous, U&Drama review - skilfully-executed depictio...

If somebody submitted a treatment for a new costume drama series set in the...

Music Reissues Weekly: The Sonics - High Time

“Theirs is truly rock in extremis, a précis of the youthful impetuosity and cathartic chaos at the heart of real rock ’n roll.”

This extract...

Album: Benson Boone - American Heart

I first had a conversation about Benson Boone without realizing it was him we were talking about. It went something like: “Did...

28 Years Later review - an unsentimental, undead education

The 23 years since 28 Days Later and especially those since Danny Boyle’s soulful encapsulation of Britain’s best spirit at the 2012...

RNCM International Diploma Artists, BBC Philharmonic, MediaC...

Two concerts in the BBC Philharmonic’s series in their own studio form the climax of studies at the Royal Northern College of Music for a small...

Prost, BBC 4 review - life and times of the driver they call...

With Brad Pitt’s much-trumpeted F1 movie about to screech noisily into the multiplexes, it’s not a bad time to be reminded of the career of one of...

Album: Yungblud - Idols

Yungblud has declared his fourth album, Idols, to be a “a project with no limitations”. This is quite a claim.

So, what musical...

Monteverdi Choir, English Baroque Soloists, Suzuki, St Marti...

In the Saxony of 1725 – still in the grip of Europe’s “Little Ice Age” – Bach and his musicians would seldom have had to deal with the sort of...