thu 16/01/2025

book reviews and features

Jill Abramson: Merchants of Truth review - news in the age of digital disruption

Liz Thomson

It’s more than a little ironic when journalists who grew up in the upstart world of digital media, with all its mash-ups, plagiarism and (yes) theft, accuse a print journalist with a distinguished...

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theartsdesk Q&A: Robert MacFarlane's Spell Songs

Tim Cumming

With books including Mountains of the Mind, The Wild Places, The Old Ways and Landmarks, Robert MacFarlane has established himself as one of the...

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Chloe Aridjis: Sea Monsters review - a teenage bestiary

Katherine Waters

We've all been there. The disappointing fling. The gently shattered illusions. The abortive holiday eliding languor and boredom. Teenage ennui. Revels peopled by runaways. Talking animals. Talking...

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Kristen Roupenian: You Know You Want This review - twisted tales

Marina Vaizey

A one-night stand between a female college student, Margot, whose part-time job is selling snacks at the cinema, and thirtyish Robert, a customer, goes pathetically awry. It was disappointing,...

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Michael Peppiatt: The Existential Englishman review - we'll always have Paris

Marina Vaizey

In this memoir, subtitled “Paris Among the Artists”, Michael Peppiatt presents his 1960s self as an absorbed,...

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Magda Szabó: Katalin Street review - love after life

Katherine Waters

This is a love story and a ghost story. The year is 1934 and the Held family have moved from the countryside to an elegant house on...

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John Lanchester: The Wall review - dystopia cut adrift

Boyd Tonkin

John Lanchester’s fifth novel begins with a kind of coded warning to the reader – and, perhaps, to the author too. Freezing conditions plague life on the defensive wall – or “National Coastal...

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Best of 2018: Books

Boyd Tonkin

Reasons to be cheerful? A fortissimo blast of anguish and foreboding currently sounds from both those end-of-year round-ups that look back over the past twelve months, and the doomy previews that...

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Timothy Day: I Saw Eternity the Other Night review - heavenly harmony, earthly discord

Boyd Tonkin

In 1955, Sylvia Plath attended the Advent Carol Service at King’s College in Cambridge. Like countless other visitors, listeners and viewers before and since, she was entranced by “the tall chapel...

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Ed Vulliamy: When Words Fail review - the band plays on

David Nice

If you're seeking ideas for new playlists and diverse suggestions for reading - and when better to look than at this time of year? - then beware: you may be overwhelmed by the infectious...

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Chris McCausland, Winchester Theatre Royal review - Strictly...

By all accounts Chris McCausland had to be persuaded to take part in the most recent series of Strictly Come Dancing, which he won with...

Album: The Weather Station - Humanhood

Four of Humanhood’s 13 tracks are short, impressionistic mood pieces. Between 48 seconds and just-over a minute-and-a-half long, they...

Oliver!, Gielgud Theatre review - Lionel Bart's 1960 ma...

Into a world of grooming gangs, human trafficking and senior prelates resigning over child abuse cases comes Oliver!, Lionel...

What's the Matter with Tony Slattery?, BBC Two review -...

In the late Eighties and Nineties, Tony Slattery became one of the most ubiquitous faces on television, appearing regularly on Whose Line Is...

Album: Ethel Cain - Perverts

Ethel Cain’s Perverts is a dark and experimental follow-up to her debut album, Preacher’s Daughter. It takes listeners on a...

Leif Ove Andsnes, Wigmore Hall review - colour and courage,...

Forthright and upright, powerful and lucid, the frank and bold pianism of Leif Ove Andsnes took his Wigmore Hall audience from Norway to Poland (...

American Primeval, Netflix review - nightmare on the Wild Fr...

It seems The Osmonds may not have been the worst outrage perpetrated on an unsuspecting public by the Mormons. American Primeval is set...

Chamayou, BBC Philharmonic, Wigglesworth, Bridgewater Hall,...

Top Brownie points for the BBC Philharmonic for being one of the first (maybe the first?) to celebrate the birth centenary of Pierre Boulez this...

The Maids, Jermyn Street Theatre review - new broom sweeps c...

There are two main reasons to revive classics. The first is that they are really good; the second is that they have something to...

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