mon 17/02/2025

book reviews and features

Ishion Hutchinson: School of Instructions review - learning against estrangement

Leila Greening

School of Instructions, a book-length poem composed of six sections, is a virtuosic dance between memory...

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Jesse Darling: Virgins review - going straight

Alice Brewer

Self-described ‘intermittent poet’ and 2023 Turner Prize-nominee Jesse Darling said this in a recent interview for Art Review: ‘I...

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Justin Lewis: Don't Stop the Music - A History of Pop Music, One Day at a Time review - deft and delightful pop almanac

Bernard Hughes

This splendid book proves that trivia need not be trivial, and that a miscellany of apparently disconnected facts can cohere, if done well. It is in the proud lineage of the “toilet book”, a form...

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Adam Biles: The Shakespeare and Company Book of Interviews review - the old curiosity bookshop

Lia Rockey

Over 10 years in the making, The Shakespeare and Company Book of Interviews reflects its namesake in more ways than one.

To those familiar, it is paean and tribute to one of the...

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Charlie Porter: Bring No Clothes - Bloomsbury and the Philosophy of Fashion review - dress to impress

India Lewis

It’s not hard to miss the fact that Bloomsbury is back in fashion at the moment. This summer, it felt like everyone’s Instagram story showed a...

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Adam Sisman: The Secret Life of John le Carré review - tinker, tailor, soldier, cheat

Bernard Hughes

This book is quite a sad read. I had been looking forward to it, as a posthumous supplement to Adam Sisman’s 2015 biography of John le Carré/David Cornwell, which, at the time, quite clearly drew...

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Caspar Henderson: A Book of Noises - Notes on the Auraculous review - a call to ears

Jon Turney

Have you ever considered the sheer range of sounds? You may think of deliberate human efforts to move the air: music and song, poetry or...

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'The people behind the postcards': an interview with Priya Hein, author of 'Riambel'

Hannah Hutching

Priya Hein’s debut novel, Riambel, is an excoriating examination of Mauritius’ socio-political structures and the colonial past from which they have sprung. Centred around Noemi, a young...

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Michael Peppiatt: Giacometti in Paris review - approaching the impossible

Jack Barron

We begin with a dead-end. In 1966, Michael Peppiatt – at the time “an obscure young man” – travelled to Paris to...

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Annie Ernaux: Shame review - the translation of pain

India Lewis

The latest translation of Annie Ernaux’s Shame – a text most closely akin to a long-form essay – is an...

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Josienne Clarke, Across the Evening Sky, Kings Place review...

On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the...

Shon Faye: Love in Exile review - the greatest feeling

As Valentine’s Day crests around us, and lonely hearts come out of their winter hibernation, what better time to publish writer and journalist...

Mary, Queen of Scots, English National Opera review - heroic...

Genius doesn't always tally with equal opportunities, to paraphrase Doris Lessing. Opera houses have a duty to put on new works by women composers...

Unicorn, Garrick Theatre review - wordy and emotionless desi...

Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn,...

Vollmond, Tanztheater Wuppertal Pina Bausch + Terrain Boris...

Imagine: you take your seat at the best restaurant in town, the waiter arrives with a flourish to fill your water glass, you hold it out and he...

Patrick Duff, The Mount Without, Bristol review - sacred mus...

There is an atmosphere of otherworldly stillness within the stony womb of a large dilapidated church in...

Album: Tim Hecker - Shards

The question of personality in abstract and ambient music has always been a fascinating one. Without conventional signifiers of expressiveness,...

Music Reissues Weekly: Sharks - Car Crash Supergroup

Sharks were formed in 1972 by bassist Andy Fraser after he left Free. There were two albums, line-up changes and ripples which resonated after the...

Fat Dog, Chalk, Brighton review - a frenetic techno-rock jug...

Ro first saw Fat Dog, before anyone had heard of them, at the Windmill in Brixton in front of a crowd of about 25 people. Their manic energy blew...

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