wed 21/05/2025

book reviews and features

Caitlin Merrett King: Always Open Always Closed review - looking for an approach while trying to do the approach

Alice Brewer

Always Open Always Closed is Caitlin Merrett King’s first published work of fiction, and it begins...

Read more...

Marie Darrieussecq: Sleepless review - in search of lost sleep

Jack Barron

“I lost sleep.” So begins Marie Darrieussecq’s elegantly fitful book, Sleepless, now perceptively translated into...

Read more...

Tony Williams: Cole the Magnificent - fantastical tale blends myth, poetry and comedy

Bernard Hughes

Cole the Magnificent is a picaresque, fantastical tale of the life (or lives) of a man, Cole, following...

Read more...

Masha Karp: George Orwell and Russia review - dystopia's reality

Hugh Barnes

The war in Ukraine, which Russia’s President Vladimir Putin insists on calling a “special military operation”, may have given fresh urgency to...

Read more...

Henry Hoke: Open Throat review - if a lion could speak

India Lewis

I approached Henry Hoke’s fifth book, Open Throat, with some trepidation. A slim novel (156 pages), it...

Read more...

First Person: Marc Burrows on getting to know Sir Terry Pratchett

Marc Burrows

In a very real sense, Terry Pratchett taught me how to write. I first came across his work when I was 12 years old, in the early 90s.

My parents had been given copies of two of the earliest...

Read more...

Lorrie Moore: I am Homeless If This is Not My Home review - between this world and the next

India Lewis

Lorrie Moore’s brief but haunting I Am Homeless If This Is Not My Home is a bizarre, unsettling read. At times it’s a road trip, at others a romance, then supernatural horror, Greek...

Read more...

Nick Laird: Up Late review - attention lapses

Alice Brewer

A few pages before the titular poem of Up Late, Nick Laird describes a haircut in a bathroom mirror, and finds a possible art form reflected back: "something like a poem / glances back /...

Read more...

Extract: Bacon in Moscow by James Birch

James Birch

In 1988, James Birch – curator, art dealer, and gallery owner – took Francis Bacon to Moscow. It was, as he writes, "an unimaginable intrusion of Western Culture into the heart of the Soviet...

Read more...

Fiona Maddocks: Goodbye Russia - Rachmaninoff in Exile review - an affectionate biographical portrait

Bernard Hughes

In 1917, in the face of the Bolshevik revolution closing in on his country estate, Rachmaninoff fled Russia, never to return. He was 44, at his peak as composer, pianist and conductor, but spent...

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: Stereolab - Instant Holograms on Metal Film

Stereolab always walked a knife edge between deadly serious and dead silly. Their sound was constructed around the sort of reference points –...

The Fifth Step, Soho Place review - wickedly funny two-hande...

The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....

Josefowicz, LSO, Mälkki, Barbican review - two old favourite...

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...

Mr Swallow: Show Pony, Richmond Theatre review - magic trick...

Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...

The Great Escape Festival 2025, Brighton review - a feast of...

Photographer Finetime and I have our first pints outside Dalton’s, a bar on...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

Pygmalion, Early Opera Company, Curnyn, Middle Temple Hall r...

With French baroque opera all but banished from the UK’s major opera companies, it’s left to concert halls and country houses to fill the void....

The Bombing of Pan Am 103, BBC One review - new dramatisatio...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...

Ballet to Broadway: Wheeldon Works, Royal Ballet review - th...

Ballet is hardly a stranger to Broadway. Until the late 1950s every other musical had its fantasy ballet sequence – think Cyd Charisse in ...

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters