book reviews and features
Jill Abramson: Merchants of Truth review - news in the age of digital disruption
Sunday, 10 February 2019
It’s more than a little ironic when journalists who grew up in the upstart world of digital media, with all its mash-ups, plagiarism and (yes) theft, accuse a print journalist with a distinguished... Read more... |
theartsdesk Q&A: Robert MacFarlane's Spell Songs
Wednesday, 06 February 2019
With books including Mountains of the Mind, The Wild Places, The Old Ways and Landmarks, Robert MacFarlane has established himself as one of the... Read more... |
Chloe Aridjis: Sea Monsters review - a teenage bestiary
Sunday, 03 February 2019
We've all been there. The disappointing fling. The gently shattered illusions. The abortive holiday eliding languor and boredom. Teenage ennui. Revels peopled by runaways. Talking animals. Talking... Read more... |
Kristen Roupenian: You Know You Want This review - twisted tales
Sunday, 27 January 2019
A one-night stand between a female college student, Margot, whose part-time job is selling snacks at the cinema, and thirtyish Robert, a customer, goes pathetically awry. It was disappointing,... Read more... |
Michael Peppiatt: The Existential Englishman review - we'll always have Paris
Sunday, 27 January 2019
In this memoir, subtitled “Paris Among the Artists”, Michael Peppiatt presents his 1960s self as an absorbed,... Read more... |
Magda Szabó: Katalin Street review - love after life
Sunday, 13 January 2019
This is a love story and a ghost story. The year is 1934 and the Held family have moved from the countryside to an elegant house on... Read more... |
John Lanchester: The Wall review - dystopia cut adrift
Sunday, 06 January 2019
John Lanchester’s fifth novel begins with a kind of coded warning to the reader – and, perhaps, to the author too. Freezing conditions plague life on the defensive wall – or “National Coastal... Read more... |
Best of 2018: Books
Monday, 31 December 2018
Reasons to be cheerful? A fortissimo blast of anguish and foreboding currently sounds from both those end-of-year round-ups that look back over the past twelve months, and the doomy previews that... Read more... |
Timothy Day: I Saw Eternity the Other Night review - heavenly harmony, earthly discord
Sunday, 30 December 2018
In 1955, Sylvia Plath attended the Advent Carol Service at King’s College in Cambridge. Like countless other visitors, listeners and viewers before and since, she was entranced by “the tall chapel... Read more... |
Ed Vulliamy: When Words Fail review - the band plays on
Sunday, 23 December 2018
If you're seeking ideas for new playlists and diverse suggestions for reading - and when better to look than at this time of year? - then beware: you may be overwhelmed by the infectious... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
The Fifth Step, Soho Place review - wickedly funny two-hande...
The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....
Josefowicz, LSO, Mälkki, Barbican review - two old favourite...
Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...
Mr Swallow: Show Pony, Richmond Theatre review - magic trick...
Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...
The Great Escape Festival 2025, Brighton review - a feast of...
Photographer Finetime and I have our first pints outside Dalton’s, a bar on...
Parsifal, Glyndebourne review - the music flies up, the dram...
There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...
The Bombing of Pan Am 103, BBC One review - new dramatisatio...
The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...
Ballet to Broadway: Wheeldon Works, Royal Ballet review - th...
Ballet is hardly a stranger to Broadway. Until the late 1950s every other musical had its fantasy ballet sequence – think Cyd Charisse in ...
Album: Robert Forster - Strawberries
“Tell me what you see” invites Robert Forster during Strawberries' “Tell it Back to me.” The album’s eight songs do not, however,...
Music Reissues Weekly: Chapterhouse - White House Demos
Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...