mon 24/02/2025

book reviews and features

Best of 2019: Books

theartsdesk

In a year that saw some notable highs (Ilya Kaminsky's Deaf Republic) and some stonking lows (...

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Michael Hunter: The Decline of Magic review - when mockery killed witches

Boyd Tonkin

During a single day of bloated idleness last week, I managed to watch three televised ghost stories, adapted from the works of Charles Dickens and a brace of Jameses: MR and Henry. Christmas,...

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Nalini Singh: A Madness of Sunshine review – a lacklustre thriller

Lauren Brown

Nalini Singh's debut thriller thrusts us into Golden Cove, a small coastal town in New Zealand at "the...

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Eva Meijer: Animal Languages review - do you talk crow?

Marina Vaizey

Animal intelligence has come to the fore as an essential and fashionable subject for study. Dolphins, elephants, bees, prairie dogs, gannets, whales, baboons, wolves, parrots, bats – not mention...

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Sema Kaygusuz: Every Fire You Tend review – an education in grief

Daniel Baksi

In March 1937, the government of Mustafa Kemal Atatürk instigated what it called a “disciplinary campaign” against the Zaza-speaking Alevi Kurds in the Dersim region of eastern...

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Elizabeth Strout: Olive, Again review - compassion, honesty and community

Jessica Payn

Elizabeth Strout is fond of plain titles. Much as her stories are interested in subtlety – the quiet complications and contradictions of ordinary life – her books advertise themselves by means of...

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Ho Sok Fong: Lake Like A Mirror review - an intoxicating collection

Sarah Collins

“Truth was further from safety than two islands at opposite ends of the earth,” proclaims the narrator of ‘Lake Like A Mirror’, the titular short...

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John Grisham: The Guardians review - nail-bitingly good

Marina Vaizey

Some two million Americans are currently in prison in America. A disproportionate number are black and nearly 200,...

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Robert Service: Kremlin Winter review – behind Putin's masks

James Dowsett

When U.S. president George W. Bush looked into the eyes of Vladimir Putin he famously “saw his soul”. In his latest meditation on modern...

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Ted Gioia: Music: A Subversive History review – an informative, giddying ride

Sebastian Scotney

People who derive comfort from Classic FM’s strapline that European classical music is “The World's Greatest Music" are going to have a major problem with this book. American music historian...

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

A Thousand Blows, Disney+ review - Peaky Blinders comes to R...

Steven Knight is beginning to resemble the British version of Taylor Sheridan. While Sheridan has been saturating our...

Chamayou, BBC Philharmonic, Morlot, Bridgewater Hall, Manche...

The second of the Philharmonic’s Boulez-Ravel celebrations (birth centenary of the former, 150th of the latter) brought Bertrand...

The Capulets and the Montagues, English Touring Opera review...

A year ago, after a deeply disappointing Manon Lescaut at Hackney Empire, I wrote here that English Touring Opera had often excelled in...

Harry Hill, Wilton's Music Hall review - madcap comic o...

Harry Hill reminds us at one point during his latest touring show that he’s 60, but there’s no let-up in the energy he brings to ...

Bilk, O2 Academy 2, Birmingham review - Essex rock'n...

Sol Abrahams, singer and guitarist for Essex rock’n’rollers Bilk, was suffering from a bit of guitar trouble in Birmingham on Friday evening. By...

Album: Artemis - Arboresque

Spare a thought – please – for Leipzig-born pianist Jutta Hipp (1925-2003). In 1956, she became the very first woman to record albums in her own...

Hinds, St Lukes and the Winged Ox, Glasgow review - Spanish...

Hinds don't believe in God. They declared this as they surveyed the converted church that is St Luke's, and given the past few years you can...

Music Reissues Weekly: Diggin' For Gold Volume 14 - Nor...

In 1964, the Norwegian division of Philips Records began issuing singles labelled “Bergen Beat.” The picture sleeves of 45s by Davy Dean and the...

The Monkey review - a grisly wind-up

Longlegs’ trapdoor ending snapped tight on its clammy Lynchian mood, reconfiguring its Silence of the Lambs serial-killer yarn...

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