book reviews and features
Mieko Kawakami: All the Lovers in the Night review - the raw relatability of loneliness
Saturday, 25 June 2022
Mieko Kawakami is the champion of the loner. Since achieving immense success in the UK with her translated works, she has become an indie fiction icon for her modern, visceral depictions of... Read more... |
Philip Ball: The Book of Minds review - thinking about the box
Friday, 17 June 2022
Years ago, one of the leading mathematicians in the country tried to explain to me what his real work was like. When he was on the case, he said, he could be doing a range of other things – having... Read more... |
10 Questions for art historian and fiction writer Chloë Ashby
Saturday, 11 June 2022
“Is she at a pivotal point in her life but unable to pivot…?” Eve, the young heroine of Chloë Ashby’s dazzling debut... Read more... |
Kim Hye-jin: Concerning My Daughter review - room for complication
Friday, 27 May 2022
In this best-selling Korean novella, recently translated into English by Jamie Chang, Kim Hye-jin offers us the perspective of a Korean... Read more... |
Alyn Shipton: On Jazz - A Personal Journey - digging jazz deeply and musically
Monday, 23 May 2022
“I suppose you’re going to ask all the usual questions...?” When Keith Jarrett was interviewed by Alyn... Read more... |
Joanna Walsh: Girl Online - A User Manual review - how 'beatifoul' it is to be online
Wednesday, 11 May 2022
Scrolling to the top of my Twitter DMs, most of which are from close friends or acquaintances, I notice the message request section flash “1”. It’s a signal I usually ignore, having learnt from... Read more... |
Laura Beatty: Looking for Theophrastus review - adventures in psychobiography
Friday, 06 May 2022
Laura Beatty is a kind of Shirley Valentine figure in contemporary English literature. A decade and a half ago she published an astonishing debut novel entitled Pollard about female... Read more... |
Emily St John Mandel: Sea of Tranquility review - time travel, pandemics and the simulation hypothesis
Tuesday, 26 April 2022
Emily St John Mandel’s wonderful novel of 2020, The Glass Hotel, featured people and places from her... Read more... |
Scholastique Mukasonga: The Barefoot Woman review - remembering Rwanda before 1994
Thursday, 14 April 2022
To read Scholastique Mukasonga’s memoir, The Barefoot Woman, beautifully translated from the French by... Read more... |
Extract: Catching Fire by Daniel Hahn
Tuesday, 12 April 2022
Daniel Hahn began his translation of Jamás el fuego nunca, a novel by experimental Chilean artist Diamela Eltit, in January 2021. Considering the careful, difficult but not impossible “... Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Music Reissues Weekly: Diggin' For Gold Volume 14 - Nor...
In 1964, the Norwegian division of Philips Records began issuing singles labelled “Bergen Beat.” The picture sleeves of 45s by Davy Dean and the...
The Monkey review - a grisly wind-up
Longlegs’ trapdoor ending snapped tight on its clammy Lynchian mood, reconfiguring its Silence of the Lambs serial-killer yarn...
Richard II, Bridge Theatre review - handsomely mounted, emot...
Screen stardom is generally anointed at the box office so it's a very real delight to find the fast-rising Jonathan Bailey taking time out from...
Backstroke, Donmar Warehouse review - a complex journey thro...
The theatre director Anna Mackmin has...
Donald Rodney: Visceral Canker, Whitechapel Gallery review -...
Donald Rodney’s most moving work is a photograph titled In the House of My Father, 1997 (main picture). Nestling in the...
Album: Heather Nova - Breath and Air
With her 13th studio album, Heather Nova delivers what you might expect from one of the 90s' most distinctive alternative voices – though longtime...
Bach's Mass in B minor, The English Concert, Bezuidenho...
If not quite his last will and testament, the work now known as Bach’s Mass in B Minor represents a definitive show-reel or sample-book...
Light of Passage, Royal Ballet review - Crystal Pite’s cosmi...
“Cry sorrow, sorrow, but let the good prevail”. The refrain of Aeschylus’s chorus near the start of the Oresteia is alive and honoured in...