Visual arts
Sarah Kent
Three paintings by Titian depicting stories from Ovid’s poem Metamorphoses welcome you to the National Gallery’s exhibition Metamorphosis: Titian 2012. Diana and Callisto shows Diana casting out the pregnant nymph Callisto from her company. Diana and Actaeon depicts the young Actaeon out hunting and stumbling into a sacred grotto where Diana and her nymphs are bathing; and in The Death of Actaeon, we see the goddess exacting vengeance on the intruder by turning him into a stag to be torn to pieces by his own hounds.You may remember the public appeals that helped save these splendid paintings Read more ...
Ismene Brown
Stonehenge, the monumental mystery of Britain’s past, decked out like a laundry yard with drying white vests and flowerpots scattered among its gigantic monoliths. It makes a most disconcerting image, and it is the precursive tableau that the public should not miss if they make the trek out to Salisbury Plain tonight or tomorrow for one of the Cultural Olympiad’s stranger installations. Get there before it all starts.For three nights only, the great landmark and treasure of world civilisation becomes the magisterially named Stonehenge Fire Garden, centrepiece of Salisbury Arts Festival, Read more ...
Anne Blood
In Dorothea Tanning's Victory, a piece of charred toast is mounted on a black background and framed in gold. The work comes dangerously close to pure jest but instead propels itself into a critique of female domesticity and then down a road of historical influences from Surrealism and Dada straight through to stark 1960s Minimalism. Tanning made this piece in 2005, when she was well into her nineties, and it’s a delightful example of her late work. Victory is witty and proves why collage is so exciting as a medium, its juxtapostions colliding to provide multiple meanings and paths of Read more ...
Marina Vaizey
As the clouds continue and the rain pours down, the Sackler Gallery at the Royal Academy is filled with sun-dappled scenes from France. The anthology is a potpourri of paintings culled from the remarkable collections put together by the millionaire race horse breeder and art obsessed Sterling Clark – the fortune inherited from his grandfather’s involvement with the Singer Sewing Machine company - and his French actress wife Francine. Current renovations and expansions for the Clark Institute, founded in 1955 by the couple in the university town of Williamstown, Massachusetts, and one of the Read more ...
Kieron Tyler
“Bruce Lacey has had this unbelievable career,” says the Turner prizewinning artist Jeremy Deller. “His is an alternative version of British art history - people didn't seem to know that Bruce has intersected with British history. I felt he deserves to be looked at again." Deller has put his energies into a documentary, exhibition and film season, all celebrating this influential, but largely unsung and unique British artist.In the new documentary The Bruce Lacey Experience, Lacey himself says, “I’m a satirist or, to put it a crude way, a piss-taker. If I see something, I like to take the Read more ...
Sarah Kent
For three months in the spring of 2010, New Yorkers were gripped by Abramovic fever. The mania owed its origins to a somewhat unlikely source – a retrospective at the Museum of Modern Art (MoMA) of a 63-year-old Serbian performance artist.Performance art is not exactly mainstream entertainment and Marina Abramovic is scarcely a household name, yet such was the enthusiasm generated by her exhibition that 750,000 people visited it in three months; many of whom queued all night for an audience with the artist.The hysteria was stoked up by shock/horror media coverage of nudity and stories about Read more ...
fisun.guner
Edvard Munch strikes a heroic pose. Buck naked, he’s pointing a sword at the sky – or perhaps that’s just a stick he’s picked up in the garden, where he’s surrounded by dense greenery as he stands with his arm raised in a taut diagonal. Perhaps he is dreaming of Gram, the Norse Excalibur, and himself as Sigurd. Another photographic self-portrait, taken four years later in 1907, shows the Norwegian artist posing on the beach. This time his modesty is preserved by a loincloth and on this occasion he is holding a palette and brush. But this is not quite the archetypal self-portrait of Read more ...