Visual arts
fisun.guner
If hell doesn’t exist for us in the 21st century, at least not in the literal rather than the Sartrean sense, than how should we read the fabulous visions of 16th-century Flemish artists such as Hieronymus Bosch? As proto-Surrealism? As the outpourings of a mind unique in its insights into the torments of the soul and seeking expression in the inexpressible?Christian iconography may not mean that much to as many people today, but from hatching eggs from which miniature humans emerge to hybrids of creature, man and archaic machine, Bosch’s vision of a world turned upside-down has few Read more ...
fisun.guner
The great Flemish painter Pieter Bruegel the Elder was instrumental in developing landscape painting as a genre in its own right. Hunters in the Snow, 1565, is one of five surviving paintings (Bruegel painted six) in his cycle depicting The Labours of the Months. Populated by villagers, peasant workers, farmers, hunters and children, each painting is of a panoramic landscape at a different time of year. This chilly winter scene is a Christmas card favourite. But Bruegel is an artist whose work has also inspired art house directors, contemporary writers and modernist poets. Hunters Read more ...
Sarah Kent
I’ve always loved this painting in the National Gallery by Sandro Botticelli. The jewel-like colours and exquisite clarity of detail create a consoling sense of lucidity, as though everything has been revealed to be alright.The reason for this optimism is, of course, the birth of Christ. Framed in the triangular entrance to a cave with a thatched portico, an extremely tall Madonna kneels at the feet of a similarly large infant (their size indicates their status). Mother and child, the sleeping Joseph and the ox and ass form the still centre of a dynamic composition filled with angels dressed Read more ...
mark.hudson
Christmas might not seem the most appropriate time to ask you, dear reader, if you’ve ever suffered a nervous breakdown. Yet for many this festival of conviviality amid the darkest hours of the year exacerbates a sense of loneliness and desperation. The break in routine, so welcome for most of us, can become a swift passage to the mental abyss. Snow, that magical, muffling coating of the damp, dark everyday world can appear – particularly in the northern countries – relentless and oppressive, yet another manifestation of a visual world that is veering out of control.Every mark conveys a Read more ...
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Steven Gambardella
Rubens's gigantic masterpiece loudly contradicts the folkloric silent night. This typically muscular painting is deafening in its depiction of the commotion around the holy family when the Magi arrive to offer gifts to the divine king of Christian belief. The enormous entourage of camels, braying donkeys, war horses, servants and soldiers, richly ornamented in oriental colour and clothing, pile up in a decrescendo behind the composition’s quiet, even vacuous, centre of gravity: a tender moment as one of the Magi (perhaps Caspar) lifts the lid on his gift of gold coins which the infant Jesus Read more ...