Visual arts
Katherine Waters
In the video, Kathy Jetñil-Kijiner smiles shyly before beginning. As she speaks, her voice gains conviction, momentum, power. Her poem tells of the Marshall Islands inhabitants, a “proud people toasted dark brown”, and a constellation of islands dropped from a giant’s basket to root in the ocean. She describes “papaya golden sunsets”, “skies uncluttered”, and the ocean itself, “terrifying and regal”. She tells of “songs late into the night” and “a crown of fuchsia flowers encircling / aunty Mary’s white sea foam hair”. In a room dominated by a vast appliqué textile of blue tarpaulin slashed Read more ...
Sarah Kent
There are some wonderful things in Space Shifters, the Hayward Gallery’s autumn exhibition. The selection of work plays with one’s perceptions of space and everything in it. You look through, round or over these sculptures and installations rather than at them, since they direct attention more to the act of seeing than to the work itself. Some date back many years and are as inspiring as the day they were made, but others have been eclipsed by their many offspring.Richard Wilson’s 20:50 was on display in London almost continuously from 1991, when it was installed at Charles Saatchi’s Gallery Read more ...
Alfred Quantrill
Design/Play/Disrupt at the V&A covers a wide variety of games that are spearheading the gaming world at the moment. It takes a closer look at eight of the most innovative and different games that have changed the world of gaming in the last five years. Concept sketches and art show the games developing as they gradually take their final form. The exhibition also looks at how videogames could be more life-like and give a new perspective on the world.Some of the games cover topics never really seen before in games. Mafia 3 is set in 1968 USA, and addresses racism as an integral part of the Read more ...
Sarah Kent
I’ve just spent four hours in the Turner Prize exhibition at Tate Britain. The shortlisted artists all show films or videos, which means that you either stay for the duration or make the decision to walk away, which feels disrespectful. For unlike paintings, drawings or photographs, which allow you to decide how long to spend in their company, the moving image tends to deprive you of agency and hold you captive.Luke Willis Thompson chose specialist macro lenses to film a sculpture by Donald Rodney who died in 1998 from sickle cell anaemia, an inherited disorder particularly affecting Africans Read more ...
Marina Vaizey
Heir to one of this country's great textile manufacturing firms, Samuel Courtauld (1876-1947) – highly original in his then unfashionable fascination with the art of his own lifetime – bought some of the best known and best loved paintings now in the public domain. Britain was late to embrace the art of the impressionists and post impressionists, so the collecting powers and inspirational acumen of Courtauld is of crucial importance. What was also crucial was his financial and intellectual backing of the first specialist academic institution in Britain for the study of art history. The Read more ...
Katherine Waters
It’s the nature of satire to reflect what it mocks, so as you’d expect from a British Museum exhibition curated by Ian Hislop, I object is a curiously establishment take on material anti-establishmentarianism from BC something-or-other right up to the present day.As wheezes go, it’s a fairly good one, a jaunty riposte to the extraordinary plumbing of the museum’s archives conducted by then-director Neil MacGregor through the series A History of the World in 100 Objects. As a premise for collecting together absorbing objects it’s unconventional, but it suffers from continued-on-p.94ism and Read more ...
Sarah Kent
Architecture is notoriously difficult to present in an accessible way and this survey of Italian architect Renzo Piano, who gave London the Shard, does not solve the problem. With 16 tables arranged in rows over two rooms, the Royal Academy show looks more like a busy office or a reading room than an exhibition. Subtitled The Art of Making Buildings, it tells the story of 16 projects from the point of view of the design team. Drawings, photographs, models, letters and magazine articles provide insight into the unique challenges posed by each commission and the solutions arrived at to Read more ...
Florence Hallett
This year’s nominees represent the wealth of innovative activity that makes British art, craft and design fresh and exciting. Artists and makers dominate the shortlist, and rightly so, but curators, an educator, and a journalist reflect the importance of public engagement with the visual arts, and the many ways in which this is achieved.Nominated for her most recent book, The Dark Side of the Boom: The Excesses of the Art Market in the 21st Century, Georgina Adams (pictured below)is a rare voice of scepticism in art journalism, her book a landmark exposé of the murky connections between art Read more ...
Marina Gerner
On a recent visit to the Royal Academy, I noticed a tall, elegantly dressed man who spent quite some time admiring a square object attached to the wall. I wondered whether to tell him that far from being Russian avant-garde art, which was the theme of the exhibition, it was in fact the temperature and humidity control box.Many visitors to Revolution: Russian Art 1917-1932 will recognise world-famous works of art by Soviet artists such as the archetypical red horse in Kuzma Petrov-Vodkin’s Fantasy and Marc Chagall’s romantic couple in Promenade. A hundred years after the Russian Revolution, Read more ...
Katherine Waters
In the autumn of 1892 Émile Bernard wrote home to his mother that, following the summer decampment to Pont-Aven of artists visiting from Paris and further afield, there remained "some artists here, two of them talented and copying each other. One mainly copies the other." Most likely he was writing about Irish painter Roderic O’Conor and the younger Swiss artist Cuno Amiet who stayed on in the Breton village long after the summer’s artistic cavalcade had left.There are indeed striking similarities and borrowings between O’Conor’s and Amiet’s canvases, but what the National Gallery of Ireland’ Read more ...
David Nice
"They incessantly break down, destroy and fragment the mistrust that exists among people," wrote a Latvian journalist of a folklore group during the start of the Baltic countries' "singing revolution" against Soviet rule in 1988. This is the recent reality, a nonviolent uprising unique in history, behind the daunting facts and figures of Latvia's latest "Song and Dance Celebration". In 65 events over a week in Riga, having rehearsed for five years, 16,500 singers from 427 choirs and 18,174 dancers from 739 groups - including those in the post-war Latvian diaspora around the world - perform to Read more ...
Katherine Waters
When in 2004 Frida Kahlo’s bedroom – sealed on the command of her husband Diego Rivera for 50 years from her death – was opened, a trove of clothes and personal items was discovered. They shed new light on the life of this iconic Mexican painter and female artist, who, born in 1907 to a German father and Indian-Spanish mother, lived through the Mexican Revolution, the emergence of Communism and the accession of America to the position of world power. In the V&A’s exhibition, these personal effects act as a prism through which to understand how she placed herself within this Read more ...