Visual arts
theartsdesk
On October 10, 1994, a burglar with a sledgehammer smashed a window at the Rembrandt House Museum and stole a single painting, Man with a Beard (1647). The work had once been considered a Rembrandt, but is now attributed to an unidentified student of his. Its theft occasioned this inevitable headline in the International Herald Tribune: “Rembrandt Needed a Night Watchman”. Beard made its way back four years later after being seized from an Amsterdam lawyer who was reputed to be a shady intermediary for art recovery, having been involved in a Van Gogh case as well. The lawyer was privately Read more ...
peter.nasmyth
Old Tbilisi: Gudiashvili Square, the balcony of 'Lermontov's House'
In Tbilisi, Georgia, artists and art historians are calling for the Government to stop destroying their classic Old Town with its winding streets and wooden balconies. New organisations have been formed, exhibitions held to publicise this creeping eradication of history. Now another grand, once-protected building, the former Institute of Marxism and Leninism, has appeared in the cross-hairs.When Europe’s Futurist movement briefly made Tbilisi its spiritual refuge in the early 1920s, the Georgian avant-garde rightly felt themselves riding the crest of a new social aesthetic. This balmy Silk Read more ...
theartsdesk
It’s not the first time we have showcased the work of Will Robson-Scott. Nearly two years ago we published a set of images from Crack & Shine, a portfolio which documented the nocturnal habits of a set of London street artists. Crack & Shine International takes the story beyond the UK to watch artists at work in other centres of street art culture - New York, Los Angeles, Paris, Berlin and Amsterdam. A photographer who specialises in shooting street artists at work, Robson-Scott incurs many of the same risks as his subjects. Unlike them, his work is in no danger of being erased or Read more ...
fisun.guner
'Wisteria, Cookham,' 1942: 'Fecund, exuberant nature can barely be contained by anything manmade'
In his later years, Stanley Spencer cut quite a figure in his native village of Cookham in Berkshire: he would often be seen pushing his rickety pram, with its battered umbrella, paints and canvas, and a hand-painted sign requesting all curious onlookers to desist from disturbing the artist at work. He spent most of his life in the village - even acquiring the nickname “Cookham” at the Slade, since he’d rush back by train after lessons every evening, presumably in time for tea.His beloved “village in heaven” resided in his imagination always, and his religious paintings, for which he is best Read more ...
Matt Wolf
Alfred Uhry, playwright, screenwriter and trophy-bearer
Alfred Uhry, now 74, may boast the greatest ratio of accolades to output of just about any American playwright, having copped two Tony Awards and a Pulitzer Prize across merely a handful of works and an Academy Award for the film version of his best-known play, Driving Miss Daisy; the movie itself won the Best Picture Oscar in 1989 and a further trophy for its beloved star, Jessica Tandy. This autumn, the era-spanning comedy-drama arrives back on the West End in the same starry version, headlined by Vanessa Redgrave and James Earl Jones, seen last year on Broadway. Immediately before that Read more ...
Marina Vaizey
Photography isn’t looking, it’s feeling. If you can’t feel what you’re looking at, then you’re never going to get others to feel anything when they look at your pictures. Thus Don McCullin, quoted on the information board of a new display at Tate Britain of around 50 black-and-white silver gelatin photographs, chosen and printed by the artist himself. No digital here, the process of the darkroom is under his control.The subjects cover anything but his direct war work, although his wholly justified fame rests on decades of hideous risk-taking (he was wounded several times and the lucky escapes Read more ...
admin
alice.vincent
The round and the curtain are two of theatre’s oldest pieces of stagecraft. Yet architect and design legend Ron Arad has reinvented both in celebration of the Camden Roundhouse’s fifth birthday. The north London venue, which was transformed from a redundant 19th-century railway turntable shed into a famed music venue in the Sixties, was revamped in 2006 and has since become a hub of creative support for young and disadvantaged people in the area. Echoing these sentiments, Arad’s Curtain Call has been created with accessibility and opportunity at its core to try and bring art to the Read more ...
Sarah Kent
Nezir Nukic, Zumra Mehic and the remains of Bajazit and Ahmedin Mehic
For her latest project, A Living Man Declared Dead and Other Chapters I-XVIII, American photographer Taryn Simon spent four years searching out families the world over whose lives have been defined by circumstances largely beyond their control – not natural calamities like floods, fires or earthquakes, but events orchestrated by other people. The stories are extraordinary.The title refers to the Yadav family from Utah Pradesh, India (pictured below). Four family members were declared dead by relatives intent on appropriating their farm. Land is in such huge demand there that the practice is Read more ...
Marina Vaizey
In Düsseldorf in the 1970s there was an astonishing art academy, the Kunstakademie, with amazing teachers – and amazing students. Düsseldorf was a proud art city, and published at the time a book of photographs called Düsseldorf City of Artists. The presence of that great messianic leader Joseph Beuys loomed large. Gerhard Richter (and Gotthard Graubner among others) taught painting, and an outstanding couple, Bernd and Hilla Becher, taught photography and photographed anonymous industrial architecture in black and white. Germany rejoined and even led the avant-garde that it had destroyed in Read more ...
Marina Vaizey
Peter Mandelson's grandfather Herbert Morrison at the London County Council (1930) by Bassano
Anniversaries at the National Portrait Gallery are handy hooks for small specialist displays, and a trio has just opened.Herbert Morrison (1888-1965) is billed as the Cockney Socialist, and shown in scores of photographs, caricatures and cartoons to mark the 50th anniversary of his brainchild, the Festival of Britain. (What would he have thought of his grandson Peter Mandelson's equivalent brainchild, the Millenium Dome?) The influential working-class Londoner rose from politicking at the London County Council in his thirties to become Home Secretary during the Blitz. The triumph of the Read more ...