Visual arts
josh.spero
Art about art is one of my favourite kinds of art. Paintings, drawings, sculptures, films - works of art which talk about what art is, what the image is, what art can represent and what it can't - all appeal. It is not just a picture of some prostitutes and some African masks - it is Les demoiselles d'Avignon by Picasso and it blows apart the boundaries of painting by cramming three dimensions into two. And then there is Frank Stella, in a new survey of his career at Haunch of Venison, the ultimate modern artist-about-art - and I'm left cold.I know that Stella is someone contemporary art Read more ...
Sarah Kent
"The sheer adventure and life of the touch is the only relevancy," wrote Barry Flanagan in his graduation thesis for St Martin’s School of Art in 1966. "I must allow my hand to touch and feel, my eyes to look and see, my tongue to lick and taste, my nose to sniff and smell, my ears to listen and hear."Clearly a sensualist, his approach to art-making was exploratory; a fascination with materials and processes led to objects whose forms were arrived at through simple actions that are clearly visible in the end product. The first sculptures in this exhibition at Tate Britain are made from sand. Read more ...
fisun.guner
A 50th birthday is a landmark occasion. One has plenty to look back on, whilst still having much to look forward to. Plus there’s all that life experience to draw on. What’s not to feel positive about? In the case of a gallery that’s built up a remarkable reputation as an innovative space for contemporary art outside London, sheer staying power is surely to be cheered and celebrated – "hear hear" for the next 50 years, and so forth.But it’s also worth asking whether middle age hasn’t precipitated some kind of quiet crisis for Bristol's Arnolfini gallery. It’s not fair, of course, to judge on Read more ...
Sarah Kent
It took a long time for architects to embrace popular culture. I attended a talk at the Architectural Association in the mid 1970s, when someone (probably the architect Robert Venturi) waxed lyrical about shiny American diners and hot-dog stands shaped like Frankfurters and extolled the virtues of the madcap fantasies built in Las Vegas."Dazed by desert sun and dazzled by signs, between loving and hating what we saw, we were both jolted clear out of our aesthetic skins," wrote Venturi’s partner Denise Scott-Brown of their American road trip. A nervous buzz of excitement swept the room; Read more ...