Thomas H Green
Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.
Articles By Thomas H Green
latest in today
Album: Dua Lipa - Radical Optimism
This album has a lot to live up to. Its predecessor Future Nostalgia came along just as the Covid crisis was properly kicking...
Laughing Boy, Jermyn Street Theatre review - impassioned agi...
On the morning of the press show of Laughing Boy, the BBC news website’s top story was about the abuse of children with learning...
Guildhall School Gold Medal 2024, Barbican review - quirky-w...
While the Royal College of Music Symphony Orchestra were performing Messiaen’s Turangalîla-Symphonie – weirdly, despite its size...
Album: Sia - Reasonable Woman
Sia has well and truly stepped into her power. Gone are the days of releasing songs that were pitched to megastars but turned down (“This Is...
Minority Report, Lyric Hammersmith Theatre review - ill-judg...
Towards the end of David Haig’s new adaptation of Philip...
Mitski, Usher Hall, Edinburgh review - cool and quirky, yet...
It was her 2018 album Be the Cowboy which saw Mitski propelled to stardom status. Laurel Hell, which followed in 2022...
Two Strangers (Carry A Cake Across New York), Criterion Thea...
Small-scale shows, nurtured in offbeat places, are becoming all the rage in the...
Queyras, Philharmonia, Suzuki, RFH review - Romantic journey...
As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...
Nadine Shah, SWG3, Glasgow review - loudly dancing the night...
First Nadine Shah raised hopes, then dashed them. “I’ve never had a dance off onstage before,” she observed at one point, impressed by the shapes...