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Thomas H Green

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Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

theartsdesk on Vinyl 33: Pet Shop Boys, AK/DK, Ian Dury, Grateful Dead and more

Friday, 10 November 2017 Read more...

Peter Perrett, Concorde 2, Brighton review - magnificent songs scorchingly rendered

Thursday, 09 November 2017 Read more...

CD: Golden Teacher - No Luscious Life

Wednesday, 08 November 2017 Read more...

CD: TootArd - Laisser Passer

Wednesday, 01 November 2017 Read more...

CD: Mélanie De Biasio - Lillies

Monday, 30 October 2017 Read more...

Nick Mulvey, De La Warr Pavilion review - a band chasing the ecstatic

Friday, 20 October 2017 Read more...

CD: P!nk - Beautiful Trauma

Saturday, 14 October 2017 Read more...

The Pretenders, Brighton Dome review - phone-free and feisty

Friday, 13 October 2017 Read more...

Dua Lipa, Brighton Dome review - tomorrow's star today

Friday, 06 October 2017 Read more...

CD: Marilyn Manson - Heaven Upside Down

Thursday, 05 October 2017 Read more...

CD: Wolf Alice - Visions of a Life

Wednesday, 27 September 2017 Read more...

theartsdesk on Vinyl 32: OMD, Twin Peaks, Bicep, Sisters of Mercy and more

Monday, 25 September 2017 Read more...

CD: Foo Fighters - Concrete and Gold

Saturday, 16 September 2017 Read more...

The Psychedelic Furs, Concorde 2, Brighton review - classy new wave pop ruined by bad sound

Saturday, 09 September 2017 Read more...

CD: Gary Numan - Savage (Songs From a Broken World)

Saturday, 09 September 2017 Read more...

CD: Nick Mulvey - Wake Up Now

Wednesday, 06 September 2017 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...

Pulp, O2 Arena review - common people like us

Jarvis Cocker is proudly holding the No 1 trophy handed to him on the day Pulp topped the album chart for the first time in 27 years with More...

Mazeppa, Grange Park Opera review - a gripping reassessment

Tchaikovsky has precisely two operas in the standard repertoire (including The Queen of Spades, currently playing at Garsington), and...