peter quinn
Bio
Peter has written on music for BBC Music Magazine, International Record Review, Jazzwise, Songlines, Tempo, The i and The Times Literary Supplement. His performing experience ranges from John Cage at the Barbican to jazz fusion at Ronnie Scott’s to traditional Irish music at the BBC Proms.
Articles By Peter Quinn
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Albums of the Year 2024: Samara Joy - Portrait
From placing first in the Sarah Vaughan International Vocal Jazz Competition in 2019 to being a triple Grammy winner, Samara Joy’s rise has been...
Nutcracker, English National Ballet, Coliseum review - Tchai...
No new production of a beloved old ballet can please everyone, and there is none more beloved, or more frequently produced, than ...
You Me Bum Bum Train, secret location review - a joyful mult...
This feels like the theatrical equivalent of being in a centrifuge – a wild, spinning ride...
The Tempest, Theatre Royal, Drury Lane review - Sigourney We...
Shakespeare must have relished the opportunities brought by the indoor...
Albums of the Year 2024: Mercury Rev - Born Horses
Born Horses remains as inscrutable as it was when it was issued in the summer. While it is about the search for enlightenment through...
Strike: The Ink Black Heart, BBC One review - protracted, co...
The man whose name sounds like a major aviation accident, private...
Albums of the Year 2024: Ca7riel & Paco Amoroso - Baño M...
My Spotify Wrapped this year is somewhat at odds with my Album of 2024. My ‘Van Life Folie Americana’ phase of Spring (presumably due to the...
Natasha, Pierre & the Great Comet of 1812, Donmar Wareho...
Broadway shows sometimes hit the West End like...