Mert Dilek
Articles By Mert Dilek
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Josienne Clarke, Across the Evening Sky, Kings Place review...
On the first date of a 17-concert tour that had its preview at Celtic Connections in January, Across the Evening Sky begins with the...
Shon Faye: Love in Exile review - the greatest feeling
As Valentine’s Day crests around us, and lonely hearts come out of their winter hibernation, what better time to publish writer and journalist...
Mary, Queen of Scots, English National Opera review - heroic...
Genius doesn't always tally with equal opportunities, to paraphrase Doris Lessing. Opera houses have a duty to put on new works by women composers...
Unicorn, Garrick Theatre review - wordy and emotionless desi...
Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn,...
Vollmond, Tanztheater Wuppertal Pina Bausch + Terrain Boris...
Imagine: you take your seat at the best restaurant in town, the waiter arrives with a flourish to fill your water glass, you hold it out and he...
Patrick Duff, The Mount Without, Bristol review - sacred mus...
There is an atmosphere of otherworldly stillness within the stony womb of a large dilapidated church in...
Album: Tim Hecker - Shards
The question of personality in abstract and ambient music has always been a fascinating one. Without conventional signifiers of expressiveness,...
Music Reissues Weekly: Sharks - Car Crash Supergroup
Sharks were formed in 1972 by bassist Andy Fraser after he left Free. There were two albums, line-up changes and ripples which resonated after the...
Fat Dog, Chalk, Brighton review - a frenetic techno-rock jug...
Ro first saw Fat Dog, before anyone had heard of them, at the Windmill in Brixton in front of a crowd of about 25 people. Their manic energy blew...