sun 28/09/2025
Home > users

Matt Wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Diana

Wednesday, 18 September 2013 Read more...

Springs Eternal, Orange Tree Theatre

Monday, 16 September 2013 Read more...

In A World ...

Friday, 13 September 2013 Read more...

What Maisie Knew

Friday, 23 August 2013 Read more...

Looking For Hortense

Thursday, 08 August 2013 Read more...

Macbeth, St. Peter's Church, Manchester

Sunday, 07 July 2013 Read more...

The Night Alive, Donmar Warehouse

Thursday, 20 June 2013 Read more...

Hard Feelings, Finborough Theatre

Tuesday, 18 June 2013 Read more...

Much Ado About Nothing

Thursday, 13 June 2013 Read more...

Stuck in Love

Tuesday, 11 June 2013 Read more...

Behind the Candelabra

Thursday, 06 June 2013 Read more...

The Big Wedding

Tuesday, 28 May 2013 Read more...

Relatively Speaking, Wyndham's Theatre

Tuesday, 21 May 2013 Read more...

The Great Gatsby

Thursday, 16 May 2013 Read more...

The Eye of the Storm

Friday, 03 May 2013 Read more...

Olivier Awards 2013: Many Shows Called, Few Chosen

Monday, 29 April 2013 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
The Hack, ITV review - plodding anatomy of twin UK scandals

The latest instalment of the ITV drama department’s attempts at trial by television is another anatomy of a scandal, but with little of...

Music Reissues Weekly: The Peanut Butter Conspiracy - The Mo...

“It's a Happening Thing,” January 1967’s debut single from...

Goldscheider, Brother Tree Sound, Kings Place review - music...

Last night’s concert at Kings Place was a programme of...

The Billionaire Inside Your Head, Hampstead Theatre review -...

What would it be like to be driven by OCD urges into idolising Elon Musk and aspiring to be one of his tribe of tech bros? In his debut...

theartsdesk Q&A: composer Donghoon Shin on his new conce...

Donghoon Shin has a taste for the esoteric – a love of labyrinths, literary puzzles, and contradictory aspects of the self. One of his favourite...

Doja Cat's 'Vie' starts well but soon tails o...

Doja Cat is a fascinating one-off. She’s a rap-centric...

Lacrima, Barbican review - riveting, lucid examination of th...

So often the focus – in the coverage of a royal wedding – is the story of the woman wearing the bridal dress. While every...

Joanna Pocock: Greyhound review - on the road again

Joanna Pocock’s second full-length book, Greyhound, tells the story of a single journey made and remade. In 2006, after the death of her...

Entertaining Mr Sloane, Young Vic review - funny, flawed but...

Playwright Joe Orton was a merry prankster. His main work – such as Loot (1965) and What the Butler Saw...