thu 12/12/2024

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

The Rink, Southwark Playhouse - lesser-known musical lands afresh

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The Two Noble Kinsmen, Shakespeare's Globe review - a breezy bromance served up slight

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Translations, National Theatre review - an Irish classic returns with cascading force

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The Grönholm Method, Menier Chocolate Factory - sleek and short but in no way deep

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Chess, London Coliseum review - powerfully sung but still problematic

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Nothing Like a Dame review - actresses undimmed by time

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The Writer, Almeida Theatre review - deconstruction run rampant

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Beast review - mesmerising and murky in equal measure

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Strictly Ballroom: The Musical, Piccadilly Theatre review - largely naff

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Kathleen Turner: Finding My Voice, The Other Palace review - a familiar name in freshly exciting form

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120 BPM review - stirring portrait of French activism in the age of AIDS

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Kiss of the Spider Woman, Menier Chocolate Factory review - brilliantly performed and imaginatively staged

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Caroline, or Change, Hampstead Theatre review - Sharon D Clarke conquers

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Hamlet, RSC, Hackney Empire review - Paapa Essiedu's winning Dane

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Oscars 2018: The shape of a snoozefest

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Game Night review - Rachel McAdams is bliss in bonkers comedy thriller

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Album: Ajukaja & Mart Avi - Death of Music

Death of Music was created in Estonia. Despite the English lyrics, directness is absent. Take the title track. “Drop the music” exhorts...

The Producers, Menier Chocolate Factory review - liberating...

There is something deliciously perfect about the timing of The Producers’ arrival at the Menier Chocolate Factory. In these...

La rondine, LSO, Pappano, Barbican review - sumptuous orches...

There are no battlement leaps or murderous vows, no pistols or daggers, not so much as a slight cough disturbs the serene plot of La rondine...

A Midsummer Night's Dream, RSC, Barbican review - visua...

Hermia is a headbutting punk with a tartan fetish, Oberon looks like Adam Ant and Lysander appears to have stumbled out of a Madness video. Yet...

L’étoile, RNCM, Manchester review - lavish and cheerful absu...

Emmanuel Chabrier’s L’étoile is not exactly a French farce, but it comes from a post-Offenbach era (1877 saw its premiere) when cheerful...

Album: Ben Folds - Sleigher

The Christmas album is an American phenomenon that doesn’t...

Black Doves, Netflix review - Keira Knightley and Ben Whisha...

It’s rare to spot Keira Knightley in a TV series, and it’s no doubt a sign of changing times that she’s starring in this six-part spies-and-guns...

Vampire Weekend, OVO Hydro, Glasgow review - a mixture of br...

When Vampire Weekend arrived onstage they numbered only three and were bunched together at the front with a large curtain draped behind them,...