mon 04/11/2024

Mark Hudson

Bio
Mark is the author of Titian, the Last Days. He writes on art and music for the Daily Telegraph, the Mail on Sunday and The Observer. His other books include the award-winning Our Grandmothers' Drums, Coming Back Brockens and The Music in my Head.

Articles By Mark Hudson

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Fauré Centenary Concert 1, Wigmore Hall review - Isserlis an...

Earlier this year, Steven Isserlis curated a revelatory Sheffield Chamber Music Festival spotlighting Saint-Saëns, with...

Alan Hollinghurst: Our Evenings review - a gift that keeps o...

In Alan Hollinghurst’s first novel, The Swimming Pool Library (1988), set during the summer of 1983, the young gay narrator, William...

Ohlsson, BBC Philharmonic, Storgårds, Bridgewater Hall, Manc...

The BBC Philharmonic were right to bill Garrick Ohlsson, soloist in ...

Album: Møster! - Springs

Springs begins cooking with “Spaced Out Invaders - Part I Quirks,” its fourth track. A spindly, rotating guitar figure interweaves with...

Music Reissues Weekly: Isaac Hayes - Hot Buttered Singles

After the chart success of his second album, June 1969’s Hot Buttered Soul, it was inevitable that any single had to represent Isaac...

Guards at the Taj, Orange Tree Theatre review - miniature ma...

It’s 1648 in Agra, and an excitable young guardsman has come up with an idea: a giant flying platform that he calls an “aeroplat”. As...

Legacy, Linbury Theatre review - an exceptional display of b...

In the foyer of the Linbury Theatre is an exhibition which gives a very upbeat account of the presence of...

'His ideal worlds embraced me with their light and love...

"I always enjoy seeing sunlight play on the rocks, the water, the trees and plains. What variety of effects, what brilliance and what softness......

Anora review - life lesson for a kick-ass sex worker

Anora has had so much hype since it won the Palme d’Or at Cannes in May that it doesn’t really need another reviewer weighing in. Sean...