fri 27/01/2023

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Winnie-the-Pooh: Exploring a Classic, V&A review - nostalgic family fun

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Reza Aslan: God - A Human History review - on being 'sapiens', and believing

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Lake Keitele: A Vision of Finland review, National Gallery - light-filled northern vistas

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Impressionists in London, Tate Britain review - from the stodgy to the sublime

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ArtReview Power 100 - an artist tops the list

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Cézanne Portraits, National Portrait Gallery review - eye-opening and heart-breaking

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Oliver Sacks: The River of Consciousness review - a luminous final collection of essays

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Chris Packham: Asperger's and Me, BBC Two review - 'like an alien from another planet'

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Niall Ferguson: The Square and the Tower review - of groups and power

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Henning Mankell: After the Fire review - of death and redemption

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Basquiat: Rage to Riches review, BBC Two – death rides an equine skeleton

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Claire Tomalin: A Life of My Own review - the biographer on herself

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Jasper Johns, Royal Academy review - a master of 50 shades

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Cinema Through the Eye of Magnum, BBC Four review - moving pictures

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John le Carré: A Legacy of Spies review - the master in twilight mood

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DVD: Every Picture Tells a Story

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latest in today

Charlie & Stan, Wilton’s Music Hall, review - a beguilin...

Imagine what would have happened if the young Charlie Chaplin and Stan Laurel were cabin-mates on a transatlantic liner. The Told by an...

Noises Off, Phoenix Theatre review - much revived classic fa...

There’s a chance – a slim one – that you haven’t seen Noises Off, Michael Frayn’s farce...

The Last Stage review - a former prisoner returns to the dea...

Seventy-eight years ago, on January 27,1945, Auschwitz concentration camp was liberated by the Red Army. The iconic images of the ovens with...

Women at War, Netflix review - contrasting stories entwine d...

A sprawling French-made drama set in the early days of the...

Album: Deathprod - Compositions

Ambient is everywhere now. After a quiet (lol) 2000s, when it rather disappeared into the cracks, perhaps tarred with the sense that the more...

Spain and the Hispanic World, Royal Academy review - a monum...

Treasures from the Hispanic Society Museum & Library are displayed as a monumental survey of...

Celtic Connections: Juliette Lemoine, Orchestral Qawwali Pro...

In full force again for 2023, Scotland’s premier folk...

Album: Låpsley - Cautionary Tales of Youth

Let me start by being pretentious and self-referential, spending ages doing that rather than reviewing the album. My theory is that most male...

Julie Cunningham & Co, Sadler's Wells review - a fi...

At the arthouse end of contemporary dance no one expects a packed house, still less serial packed houses for more than a week. Yet Sadler’s Wells...