mon 31/03/2025

Marina Vaizey

Marina Vaizey's picture
Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Joanna Trollope: Mum & Dad review - redemption in Spain

Read more...

Confronting Holocaust Denial with David Baddiel, BBC Two review - grappling with the incomprehensible

Read more...

Secrets of the Museum, BBC Two review - the incredible hidden worlds of the V&A

Read more...

Shock of the Nude with Mary Beard, BBC Two review - when does art become erotica?

Read more...

Stewart Copeland's Adventures in Music, BBC Four review - an essay on the emotional power of music

Read more...

Hugh Grant: A Life on Screen, BBC Two review - hiding in plain sight?

Read more...

Eva Meijer: Animal Languages review - do you talk crow?

Read more...

John Grisham: The Guardians review - nail-bitingly good

Read more...

Michael Connelly: The Night Fire review - unputdownable

Read more...

John le Carré: Agent Running in the Field review - fake news, Brexit and Cold war echoes

Read more...

Joanna Cannon: Breaking and Mending review - can you feel too much?

Read more...

10 Questions for author Martin Gayford

Read more...

Martin Gayford: The Pursuit of Art review - devotion, distilled

Read more...

A. N. Wilson: Prince Albert review - entertaining bio is a total treat

Read more...

Martin Hägglund: This Life - Why Mortality Makes Us Free review - profound book to be read slowly

Read more...

BP Portrait Award 2019, National Portrait Gallery review - a story for everyone

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

This City is Ours, BBC One review - civil war rocks family c...

The dramatic allure of families neck-deep in organised crime never seems to falter, and Stephen Butchard’s new series continues that great...

Album: Erlend Apneseth - Song Over Støv

A pizzicato violin opens Song Over Støv. Gradually, other instruments arrive: bowed violin, a fluttering flute, pattering percussion, an...

Music Reissues Weekly: Yeah Man, It's Bloody Heavy

The sticker on the front cover says “The heaviest proto-metal compilation ever released.” And considering the label behind Yeah Man,...

Album: Bryan Ferry and Amelia Barratt - Loose Talk

On the spoken word LP Loose Talk, Amelia Barratt reflects on her or other...

Biss, National Symphony Orchestra, Kuokman, NCH Dublin revie...

On paper, it was a standard programme with no stars to explain how this came to be a sellout concert. But packed it was, an audience of all ages...

Alfred Hitchcock Presents: The Musical, Theatre Royal Bath r...

In Italy, they did it differently. Their pulp fiction tales of suburban transgression appeared between yellow covers on new stands...

Album: Will Smith - Based on a True Story

Will Smith’s new album, Based on a True Story, is a prime example of why some comebacks should remain hypothetical. After two decades...

Verdi Requiem, Philharmonia, Muti, RFH review - new sparks f...

Forget, for a moment, the legend and the lustre. If you knew nothing about Riccardo Muti’s half-century of history with Verdi’s Messa da...

Wilko: Love and Death and Rock'n'Roll, Southwark P...

Resurrecting the origins of old rock stars is becoming quite the thing, After cinema’s Elton John, Freddie Mercury, Bob Dylan and...