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Jonathan Geddes

Articles By Jonathan Geddes

Gossip, SWG3, Glasgow review - powerhouse voice provokes only an intermittent party

Friday, 06 September 2024 Read more...

Girl in Red, Barrowland, Glasgow review - rarely has vulnerability been so giddy

Tuesday, 03 September 2024 Read more...

P!nk, Hampden Park, Glasgow review - a high-wire act with bravado and bombast

Monday, 01 July 2024 Read more...

Smashing Pumpkins / Weezer, OVO Hydro, Glasgow review - double-bill of unlikely bedfellows makes a racket

Friday, 14 June 2024 Read more...

Girls Aloud, OVO Hydro, Glasgow review - pop queens return with poignant hit parade

Wednesday, 12 June 2024 Read more...

Nadine Shah, SWG3, Glasgow review - loudly dancing the night away

Tuesday, 30 April 2024 Read more...

Slash featuring Myles Kennedy and the Conspirators, OVO Hydro, Glasgow review - guitar heroics against a low-key backdrop

Friday, 05 April 2024 Read more...

Hozier, OVO Hydro, Glasgow review - sublime voice and a super-sized sound

Wednesday, 13 December 2023 Read more...

CMAT, Barrowland Ballroom, Glasgow review - an evening of exuberance

Monday, 27 November 2023 Read more...

Greta Van Fleet, OVO Hydro, Glasgow review - all rock and very little roll

Wednesday, 22 November 2023 Read more...

Maisie Peters, O2 Academy, Glasgow review - conjuring up an enjoyable pop spell

Thursday, 19 October 2023 Read more...

The Last Dinner Party, SWG3, Glasgow review - affection and adulation for rising stars

Wednesday, 11 October 2023 Read more...

New Order, OVO Hydro, Glasgow review - a nostalgia trip with a modern feel

Saturday, 07 October 2023 Read more...

The National, OVO Hydro, Glasgow, review - commanding arenas with ease

Tuesday, 26 September 2023 Read more...

The Walkmen, SWG3, Glasgow review - a classy return for New York's finest

Wednesday, 23 August 2023 Read more...

KISS, OVO Hydro, Glasgow review - familiar feel to rock legends bombastic farewell

Monday, 10 July 2023 Read more...

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It’s weird, right? We’ve somehow stumbled into a world where, for all we’re told that algorithms homogenise music, actually more people than ever...

The Makropulos Case, Royal Opera - pointless feminist compli...

Janáček described his nature-versus-humanity fable The Cunning Little Vixen as “a merry thing with a sad...

Othello, Theatre Royal, Haymarket review - a surprising mix...

Perspectives on Shakespeare's tragedy have changed over the decades....

Benson Boone, O2 London review - sequins, spectacle and chee...

After cancelling his Birmingham gig an hour before curtain-up due to illness, the anticipatory hype around whether...

Die My Love review - good lovin' gone bad

Directed by Lynne Ramsay and based on the book by Ariana Harwicz, Die My Love is an unsettling dive into the disturbed psyche of...

Midlake's 'A Bridge to Far' is a tour-de-forc...

“Climb upon a bridge to far, go anywhere your heart desires.” The key phrase from the title track of Midlake’s sixth studio album conveys the...

Macbeth, RSC, Stratford review - Glaswegian gangs and ghouli...

It’s hard to pinpoint exactly what’s so very different about Belfast and Glasgow, both of which I have visited in the last few...

Sananda Maitreya, Town Hall, Birmingham review - 80s megasta...

During a false start to “Billy Don’t Fall”, on Sunday night at Birmingham’s iconic Town Hall, Sananda Maitreya took the opportunity to address the...

First Person: Kerem Hasan on the transformative experience o...

There is a scene in the second act of Jake Heggie and Terrence McNally’s Dead Man Walking in which the man condemned to death, Joseph De...