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Graham Fuller

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Bio
Graham is a British writer and editor based in New York since 1986. He was the executive editor at Interview magazine (1990-2000) and the Sunday arts editor at the New York Daily News (2000-2005). He has written on film for the New York Times, New York Observer, all the British broadsheets, Sight and Sound, Film Comment and Rolling Stone.

Articles By Graham Fuller

Wildlife review - Paul Dano's tense directorial debut

Saturday, 10 November 2018 Read more...

DVD/Blu-ray: Woodfall - A Revolution in British Cinema

Wednesday, 11 July 2018 Read more...

DVD/Blu-ray: Lubitsch in Berlin

Friday, 10 November 2017 Read more...

DVD/Blu-ray: Belle de Jour

Tuesday, 10 October 2017 Read more...

DVD/Blu-ray: The Love of a Woman

Friday, 01 September 2017 Read more...

DVD/Blu-ray: J'Accuse

Friday, 25 August 2017 Read more...

Victim review - timely re-release for attack on homophobia

Sunday, 23 July 2017 Read more...

DVD/Blu-ray: Two Rode Together

Tuesday, 28 March 2017 Read more...

Casablanca

Tuesday, 14 February 2017 Read more...

Taxi Driver

Tuesday, 07 February 2017 Read more...

DVD/Blu-ray: Odds Against Tomorrow

Saturday, 26 November 2016 Read more...

Blu-ray: The Glass Key/The Blue Dahlia

Friday, 23 September 2016 Read more...

DVD/Blu-ray: A Kind of Loving

Tuesday, 16 August 2016 Read more...

DVD/Blu-ray: Dheepan

Saturday, 06 August 2016 Read more...

Barry Lyndon

Saturday, 30 July 2016 Read more...

DVD: Around China With a Movie Camera

Saturday, 23 July 2016 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Two-Piano Gala, Kings Place review - shining constellations

Never mind the permutations (anything up to eight hands on the two pianos); feel the unwavering quality of the eight pianists and the 13 works,...

Music Reissues Weekly: Marc and the Mambas - Three Black Nig...

A month after Soft Cell’s "Say Hello, Wave Goodbye" single peaked at number three in the UK charts, Marc Almond issued a single credited to Marc...

Troilus and Cressida, Globe Theatre review - a 'problem...

The Globe’s authenticity is its USP, so don’t expect the air-conditioning, the plush seats and the expectant hush of the National...

Album: Mobb Deep - Infinite

Eight years after Prodigy’s untimely passing, Mobb Deep are gracing our sound systems once again with unreleased vocals and brand new music. With...

London Film Festival 2025 - crime, punishment, pop stars and...

Wake Up Dead Man: A Knives Out Mystery

The third of Rian Johnson’s Knives Out...

I Swear review - taking stock of Tourette's

People sometimes go to the movies for the violence and maybe even for the sex. Until recently they didn’t particularly buy a ticket for...

Clarkston, Trafalgar Theatre review - two lads on a road to...

If you’re a Gen Zer, you’ve probably heard of Heartstopper’s Joe Locke. I’m pretty sure ATG’s Gen Xers in...

Album: Boz Scaggs - Detour

Boz Scaggs rarely does a less than wonderful album. His latest is an exemplary collection of smooth and soulful standard and a few other choice...

Carmen, English National Opera review - not quite dangerous

“Safe” is a word used far too often in ENO’s bizarre new version of a programme, full of uncredited articles, at least two of which look as if...