Graham Fuller
Bio
Graham is a British writer and editor based in New York since 1986. He was the executive editor at Interview magazine (1990-2000) and the Sunday arts editor at the New York Daily News (2000-2005). He has written on film for the New York Times, New York Observer, all the British broadsheets, Sight and Sound, Film Comment and Rolling Stone.
Articles By Graham Fuller
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Jane Austen Wrecked My Life review - persuading us that the...
Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the...
The King of Pangea, King's Head Theatre review - grief...
There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a new...
Album: Sam Binga - Sam Binga Presents Club Orthodontics
When I was writing the introduction to my book, Bass, Mids, Tops: An Oral History of Soundsystem Culture, I came up with a phrase, which...
Yoshitomo Nara, Hayward Gallery review - sickeningly cute ki...
It’s been a long time since an exhibition made me feel physically sick. The Hayward Gallery is currently hosting a retrospective of the...
Hespèrion XXI, Savall, QEH review - an evening filled with l...
For the first encore of the evening, it was not just the audience but the whole ensemble of Hespèrion XXI that was mesmerised as its leader,...
Album: Neil Young & the Chrome Hearts - Talkin' to...
When Neil Young releases a new album, you can be reasonably sure that you’ll get either a disc of melancholy singer-songwriter fare or a set of...
Samuel Arbesman: The Magic of Code review - the spark ages
The slightly overwrought subtitle, "How Digital Language Created and Connects Our World and Shapes Our Future", gives a...
Album: Mary Halvorson - About Ghosts
Although Mary Halvorson leads the sextet Amaryllis on About Ghosts, instrumentally, she does not place her guitar to the fore. The first...
A Midsummer Night's Dream, Bridge Theatre review - Nick...
It’s a sign of the inroads that the term “immersive” has made in theatreland that it now gets jokily namedropped at the...