fri 17/05/2024

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Rigoletto, Royal Opera review - second time lucky

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The Cunning Little Vixen, English National Opera review - half-realised men and beasts

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This Is Going To Hurt, BBC One review - hospital drama with a realistic difference

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Kantorow, Philharmonia, Rouvali, RFH review – a new brilliance on the London concert scene

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Bajazet, Irish National Opera, Linbury Theatre review – robust but a bit rough

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Stikhina, Kowaljow, LSO, Noseda, Barbican review - dramatic songs of death, electrifying dances of life

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Fischer, LPO, Søndergård, RFH review - poised Mozart, lean and hungry Strauss

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Theodora, Royal Opera review - God, love, sex, death - and terrorism

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Ozark, Series 4 Part 1, Netflix review - the Macbeths of the southern lakes in even deeper waters

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Total Immersion: Music for the End of Time review - miracles from the house of the dead

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Lise Davidsen, Leif Ove Andsnes, Barbican review - perfect Grieg, impressive Strauss and Wagner

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Don't Look Up, Netflix review - hitting most targets in high style

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Force Majeure, Donmar Warehouse review - fissures in a marriage

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Le nozze di Figaro, Royal Opera review - New Year champagne

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Best of 2021: Classical music concerts

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Best of 2021: Opera

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latest in today

Bermondsey Tales: Fall of the Roman Empire review - dirty de...

What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Dunedin Consort, Mulroy, Wigmore Hall review - songs of love...

The sixteen voices of the Dunedin Consort raided the large store of music inspired by the Song of Songs and the sonnets of Petrarch in a sensual...

People, Places and Things, Trafalgar Theatre review - a scin...

It’s unusual for a play to be revived with its original director and star, let alone a decade after they premiered the piece. But here we are,...

Withnail and I, Birmingham Rep review - Bruce Robinson’s 198...

Let’s put our cards firmly on the table here. I am a big fan of Bruce Robinson’s cinematic masterpiece about two out-of-work actors who live in...

Jack Doherty, Soho Theatre review - warm and witty childhood...

For fans of a certain age the name Jack Docherty will always be associated with a very good run of chat shows on Channel 5; he was also the star...

Album: Jack Savoretti - Miss Italia

It’s a long way to the middle. Jack Savoretti has worked hard to get there. He’s grafted. His first album, 2007’s Between the Minds,...

Two Tickets to Greece review - the highs and lows of a holid...

Two women were best friends at school but they haven’t...

Hoard review - not any old rubbish

A visually dazzling, fiercely acted psychological drama with a manic comic edge, Hoard channels an 18-year-old South Londoner’s quest to...

Hidden Door 10th Birthday Party, St James Quarter, Edinburgh...

It’s hard to imagine that The Arches – a string of stylish glass-fronted units in prime city centre location, housing boutique bars,...