Anne Billson
Bio
Anne is a writer and photographer. Her books include three horror novels, Suckers, Stiff Lips and The Ex, and monographs on The Thing and Buffy the Vampire Slayer. She was the film critic of the Sunday Telegraph from 1993 to 2001 and now writes a regular column on cinema for the Guardian. She lives in Paris.
Articles By Anne Billson
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Dept. Q, Netflix review - Danish crime thriller finds a new...
Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, ...
The Queen of Spades, Garsington Opera review - sonorous glid...
Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production...
Blu-ray: Eclipse
What constitutes a “lost classic”? I guess we can’t say it’s an oxymoron, since we readily accept the concept of “instant classic”? Either way,...
The Ballad of Wallis Island review - the healing power of th...
I think The Ballad of Wallis Island is the best...
Music Reissues Weekly: Pete Shelley - Homosapien, XL-1
Pete Shelley’s departure from Buzzcocks felt abrupt. When he left the...
The Salt Path review - the transformative power of nature
“I can’t move my arms or legs, but apart from that I’m good to go.” Moth (Jason Isaacs) has to be pulled out of the tent in his sleeping bag by...
Elephant, Menier Chocolate Factory review - subtle, humorous...
This charmingly eloquent semi-autobiographical show – which first played at the Bush Theatre in 2022 – tells the story of a girl whose...
Album: Nick Mulvey - Dark Harvest Pt.1
Nick Mulvey’s first two albums, First Mind in 2014 and Wake Up Now in 2017, are among the loveliest singer-songwriter fare...