alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
CVC, Concorde 2, Brighton review - they have the songs and t...
The joy of CVC, when they catch fire, is the zing of gatecrashing a gang of cheeky, very individual personalities having their own private party....
Hallé, Wong, Bridgewater Hall, Manchester review - meeting a...
Kahchun Wong, the Hallé’s principal conductor from the coming autumn season, presided in the Bridgewater Hall for the first time yesterday since...
Extract: Pariah Genius by Iain Sinclair
Iain Sinclair is a writer, film-maker, and psychogeographer extraordinaire. He began his career in the poetic avant-garde of the Sixties and...
Nezouh review - seeking magic in a war
The 21st century learnt afresh about the reality of carpet-bombed cities thanks to the Syrian civil war, which began in 2011. And the...
Album: Dua Lipa - Radical Optimism
This album has a lot to live up to. Its predecessor Future Nostalgia came along just as the Covid crisis was properly kicking...
Laughing Boy, Jermyn Street Theatre review - impassioned agi...
On the morning of the press show of Laughing Boy, the BBC news website’s top story was about the abuse of children with learning...
Guildhall School Gold Medal 2024, Barbican review - quirky-w...
While the Royal College of Music Symphony Orchestra were performing Messiaen’s Turangalîla-Symphonie – weirdly, despite its size...
Album: Sia - Reasonable Woman
Sia has well and truly stepped into her power. Gone are the days of releasing songs that were pitched to megastars but turned down (“This Is...
Minority Report, Lyric Hammersmith Theatre review - ill-judg...
Towards the end of David Haig’s new adaptation of Philip...
Mitski, Usher Hall, Edinburgh review - cool and quirky, yet...
It was her 2018 album Be the Cowboy which saw Mitski propelled to stardom status. Laurel Hell, which followed in 2022...