wed 30/04/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

DVD: The Year of the Sex Olympics

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Earth and Blood, Netflix review - tense and broody thriller ultimately falls short

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Quiz, ITV review - cheats never prosper. Well, hardly ever

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Believe Me: The Cyprus Rape Case, ITV review - British teenager’s holiday from hell

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Prue Leith: Journey with My Daughter, Channel 4 review - an emotional journey into the past

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Blu-ray: Rio Grande

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Danger Close review - the Vietnam war from an Australian perspective

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theartsdesk Q&A: actor Gemma Whelan

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Alma's Not Normal, BBC Two review - bare-knuckle comedy pilot hits the spot

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Return to Belsen, ITV review - Jonathan Dimbleby retraces his father's journey to a nightmare world

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The Iron Mask review - preposterous multi-national fantasy

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Ozark, Series 3 review, Netflix - money-laundering saga hits new heights

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The Trip to Greece, Series Finale, Sky 1 review - bittersweet swansong for the cantankerous comrades

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Pen15, Sky Comedy review - the horror of adolescent schooldays revisited

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Batwoman, E4 review - can Bruce Wayne's female cousin fill his bat-costume?

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Our Girl, Series 5, BBC One review - where soap and warfare collide

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Dealer's Choice, Donmar Warehouse review - fresh take o...

Patrick Marber’s powerful debut about gambling men is 30 years old, born as the Eighties entrepreneurial boom was starting to sour but...

theartsdesk Q&A: director Leonardo Van Dijl discusses hi...

"Julie's story takes place everywhere", says the writer-director Leonardo Van Dijl, whose psychological drama Julie Keeps Quiet has...

Album: Lael Neale - Altogether Stranger

Over its crisp 32 minutes and nine songs, Altogether Stranger embraces electropop, lo-fi terrain and gothic solo contemplation. By...

Much Ado About Nothing, RSC, Stratford - Messina FC scores o...

Fragile egos abound. An older person (usually a man) has to bring the best out of the stars, but mustn’t neglect the team ethic....

Zsuzsanna Gahse: Mountainish review - seeking refuge

Mountainish by Zsuzsanna Gahse is a collection of 515 notes, each contributing to an expansive kaleidoscope of mountain encounters....

DVD/Blu-ray: All We Imagine as Light

All We Imagine as Light focuses on the lives of three women in contemporary...

Sheku Kanneh-Mason, Isata Kanneh-Mason, Wigmore Hall review...

I came to Isata and Sheku Kanneh-Mason’s Wigmore Hall recital on Saturday armed with a certain degree of scepticism. Not about the siblings’...

Simon Boccanegra, Opera North review - ‘dramatic staging’ pr...

Opera North have recently pioneered a way of presenting some big works which they call “dramatic concert stagings”, performing in concert halls as...

Mahler 8, LPO, Gardner, RFH review - lights on high

Transcendence is everywhere in Mahler’s most ambitious symphony, from the flaming opening hymn to the upper reaches in the epic setting of Goethe’...