Aleks Sierz
Bio

Aleks spells his name in an unusual way because he was born to Polish migrants, who helped him with everything except his passion for theatre. This he stumbled upon by himself and he’s been reviewing shows, mainly new writing but also some absolute classics, for more than 30 years. He’s also written a trilogy of books about contemporary British theatre, including the seminal In-Yer-Face Theatre. And then some. His latest is New British Drama in 15 Scenes: Adventures in Theatre Criticism, a wildly experimental account of the 2010s. His ideas about theatre today, as well his love of dogs and Europe, can be found here, as well as on Instagram, LinkedIn, FB (I know, I know), Bluesky and even X (ditto, ditto). 

articles by Aleks Sierz

latest in today

We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Reviewing The Clash’s 27 October 1976 appearance at Birmingham’s Barbarella’s, UK music weekly Sounds detected a particular, unique,…
“Trump Arrangement Syndrome”, my propensity to see the world refracted through the lens of the omnipresent ogre’s cult, raised its head…
The Fez Festival of World Sacred Music has been peerless over the years in presenting world/global music acts in one magical place. Only…
Ever since he crashed into the world with that eerie masterpiece, Maxinquaye (1995) – an album that has never aged – Bristol-born Tricky,…
Mould are a post-punk sounding trio from Bristol. The press release says that their debut album is “13 tracks that explore the horrors of…
The regular scriptwriter for Yorgos Lanthimos’s films, Efthimis Filippou, has worked with another director, Karim Aïnouz, on Rosebush…
This week saw something of a landmark gig for Birmingham’s ever-exuberant folkies, Bonfire Radicals. New album, Spaghetti Junction was…
A voice at the start of dancer Aakash Odedra’s performance speaks out of the darkness about the Sufi myth behind what we are going to see,…
Pyschedelic music has always encouraged intergenerational influence. Thus West Midlander Pete “Sonic Boom” Kember, in his 1980s Spacemen 3…