mon 23/12/2024

Storyville: Life, Animated, BBC Four | reviews, news & interviews

Storyville: Life, Animated, BBC Four

Storyville: Life, Animated, BBC Four

Insightful documentary about an autistic young man connecting with the world through Disney animations

Owen Suskind with his own Disney-inspired drawings

Slipped out in the Storyville slot without much fanfare, Life, Animated is the Oscar-nominated documentary which won a theatrical release and rave reviews in the US and UK last year.

It’s a horribly clichéd word, but heart-warming is the best way to describe this tale of a young autistic man, Owen Suskind, who learnt to speak via his passion for Disney animations.

We first see Owen in home movie footage, a chatty toddler play-acting Peter Pan with his dad. But soon after that footage was shot, he lost all his speech and began to display other worrying signs – problems with motor control, extreme anxiety, sleep difficulties. He received a diagnosis of autism just before his third birthday.

Life, AnimatedBased on the 2014 book of the same title which was written by Owen’s political journalist father, Ron Suskind, the documentary only touches on the intense therapies and specialist schools which Owen experienced, focusing on his passion for Disney animation instead. His parents devoted a great deal of resources (both financial and their own time – his mother Cornelia Suskind gave up work as a journalist) to accompany Owen to therapy sessions and continue the advised techniques at home.

Where the book covers in exhausting detail the many interventions which Owen received (at one point Ron Suskind calculated the annual cost of Owen's therapies and education was $90,000), the film concentrates on what the family found to be the best way  to engage with their son – through his passion for Disney animations. When Owen was around six, his family realised that he was using his favourite movies as a way to understand the world. Owen would watch the same films over and over again, rewinding favourite scenes obsessively and learning chunks of dialogue that he would repeat, sometimes using them to make insightful observations on himself and his brother. Life, AnimatedWhile many autism experts would discourage this repetitive viewing as a harmful obsession allowing the autistic person to block off the world and retreat deep into themselves, the Suskinds had the good sense to see that if they joined in with Owen’s passion, it could be harnessed to help him communicate and understand the world of relationships and people. The whole family would watch Disney movies together and act out scenes and then use them in social contexts to good effect, but there were some limitations. When Owen’s first girlfriend dumped him, he was heartbroken. His older brother Walter (pictured above with Owen) comments ruefully that Disney’s not much good when it comes to explaining the practicalities of sex.  

Roger Ross Williams, who won an Oscar for his short documentary Music by Prudence, about disabled South African musicians, did an excellent job directing Life, Animated. He sensitively blended the Suskind’s home movies with polished Disney clips, family interviews and specially commissioned animation sequences that recreate Owen’s unhappy incidents from his childhood. Ross Williams doesn't just adapt Suskind's book, he spent over a year filming in an observational style with Owen as he left home and started a new and relatively independent life in a sheltered community and set out to look for work.

These scenes gave us a chance to see Owen as he describes himself today, "a proud autistic man" and far happier than he was as a child. Finding that Owen was not comfortable with direct eye contact, Williams brilliantly deployed the Interrotron technique, where the interviewer’s face appears in the camera as if on a screen, allowing Owen to open up to Williams, and through him, connect directly to the viewer (pictured below, a still from Life, Animated).I found the score a little too obvious and emotionally manipulative at times, and worry slightly that an inattentive viewer might get the impression that autism can be "cured" by watching Disney movies on a loop rather than its challenges alleviated by appropriate and sensitive therapy. Otherwise, this is a wholly admirable documentary showing a family learning to reframe autism not as a prison but as a different way of being, and a poignant story of one young man making his way in the world.

The Suskinds have gone on to encourage further research into what they call "affinity" therapy – harnessing an autistic child's passion (be it train timetables, Pokémon, Minecraft or Disney...). While the jury is out on how effective affinity therapy can be for children with autism and profound learning disabilities as well, it's certainly worth exploring. Overall, Life, Animated is a very positive addition to the growing number of films about autism, and Williams is definitely a film-maker to watch.

Comments

Hi I watched the film last night and I had a pain in my heart at the end . Watching this potentially great person only able to access parts of himself was heartbreaking . Owen has a lovely engaging personality and his family have been brilliant with him . I was puzzled as to what happened when Owen was 3 yrs old to initiate the loss of his speech etc . Despite what medics say, autism is not genetic as it is increasing too fast to be genetic . I know this film focussed on Owen as a person and was not looking at the 'whys' but it needs to be asked. Best wishes to Owen and his family

Wonderful story and what fantastic support from Owen's family. I think we expect too much to always expect to know why these things happen, but it is uplifting to see how Owen now has what seems to be a fulfilled life and I am sure brings so much joy to everyone who knows him.

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters