TV
David Benedict
“Take your pick. Who shall we talk to first?” DI Alec Hardy (David Tennant) and DS Miller (Olivia Colman) had their three prime suspects waiting for them in custody. The fact that none of them proved to be the guilty party was what was wrong not only with their investigation but with the construction of the third and final series of the dramatically serious, but seriously uneven, Broadchurch (ITV).On the absolute plus side was the handling of the subject matter. Following extensive consultation and research with women’s organisations and other bodies working in the area of rape, the Read more ...
Adam Sweeting
It was a long time coming, but Homeland’s sixth series at last awoke from its early-season slumbers to put on a late surge over the closing episodes. For a while, it had seemed that the story was barely advancing at all, as the screen was self-indulgently hogged by Carrie Mathison’s emotional life, particularly her anguish over her daughter being taken into care. Yet by the end, she found herself in the teeth of the hurricane as the USA was threatened by a brutal coup d'état.Homeland has always been about the personal cost of undercover work, where commitment to the greater cause tends to Read more ...
Jasper Rees
We’re three films into Rowan Atkinson’s tenure as Inspector Maigret and so far he’s barely twitched a facial muscle. Gone are the eye bulges and nostril flares, the rubbery pouts. There’s sometimes a hint of a frown, the odd twinge in a wrinkle around the eyes, but Atkinson’s performance continues mainly to be about keeping his cards superglued to his chest. Gnomic is about the size of it.The murder Maigret was investigating in Maigret's Night at the Crossroads (ITV) was of a Jewish jewel fence called Goldberg who, we later discovered, was recklessly eager to pull off one last high-yield deal Read more ...
Adam Sweeting
Devised and written by John Ridley, the Oscar-winning writer of 12 Years a Slave, Guerrilla (Sky Atlantic) takes us back to London, 1971. The story is set among a group of black activists agitating against racism and police brutality, and the city is portrayed as a shabby, smouldering dystopia about to erupt into apocalyptic violence.Was this really how it was? I suspect not, even though the show brandishes the 1971 Immigration Act as a kind of state-sponsored manifesto of race hatred. What the Milwaukee-born Ridley seems to have done is transplant the Chicago riots of 1968 and an American Read more ...
Jasper Rees
In the closing credits of Acorn Antiques, wobbling diagonally across the screen, it says the part of Berta was taken by “Victoria Woods”. Has there ever been a lovelier, truer typo? There was only one Victoria Wood, and yet she seemed somehow to be plural. She wrote and performed sketches and sitcom, songs and stand-up, musicals and drama. She directed, she produced. And she never seemed to stop until, alas, last year.Our Friend Victoria (BBC One) is a piquant reminder that television comedy has never unearthed anyone remotely like her. Her genius is irreplaceable. That genius, as celebs and Read more ...
Mark Sanderson
Sunshine, sex and oodles of style: Vera (ITV) has no truck with any of them and is therefore unusual among Sunday evening dramas. There’s no escaping its mission to prove it’s grimy up north.The Blanket Mire, the fourth and final mystery of this seventh series, began with grey skies and torrential rain. A team of geologists, floundering in mud, unearthed a human arm. It belonged to an 18-year-old girl who has been missing for six weeks.There was no shortage of suspects: a dumped boyfriend, a handsome ex-soldier (Jonjo O’Neill, pictured right), the lead singer of a local band and a field of Read more ...
Jasper Rees
It is the fate of a certain type of well-spoken classically trained actor to wear the livery of the English Establishment. Tim Pigott-Smith, double-barrelled and tall with a high forehead, was one such. But the full arc of his career encompassed vast breadth: he was a gifted tragedian, and a nifty comedian. “In television I was first cast as a cavalry officer because of my name,” he told me when I interviewed him in 2015. He brought an air of entitlement to the PM in Johnny English, the Foreign Minister in Quantum of Solace, various higher-ups in various uniforms in The Chief, The Vice, Read more ...
Adam Sweeting
The first series of The Last Kingdom in 2015 kicked off with a blockbuster episode which managed to encompass savage violence, dynastic rivalry and a speedy tour of the state of Britain in the ninth century, while allowing the central protagonist, Uhtred, to grow from boy to man. It was a virtuoso feat, and one which the opener of series two couldn’t quite repeat.But have no fear. The new series has been steadily building momentum, and with this explosive fourth episode it once again looked like one of the very best things on television. It was here that Uhtred (Alexander Dreymon), the Saxon- Read more ...
Sarah Kent
Mary Magdalene: Art's Scarlet Woman (BBC Four) is, says art critic Waldemar Januszczak, a film about a woman who probably never existed. "So why,” he asks, “are we so obsessed with her?” He delivers the answer in breathy, lugubrious tones as if sharing a dirty secret. The story, he says, is “sweaty, sensuous and naughty... For 2,000 years we’ve been fantasising about this most alluring and intoxicating presence.”So keep watching, folks. and join the “many men who, through the ages, have drooled over her.” It's enough to make anyone switch off, which would be a shame because the story that Read more ...
Veronica Lee
It has been a long, long time since Dick Clement and Ian La Frenais wrote a new sitcom; in their heyday they created The Likely Lads and its sequel, Whatever Happened to the Likely Lads?, Porridge and Auf Wiedersehen, Pet, all of which have become classics of the genre. The duo went to live in Los Angeles some decades ago to work in both film and TV, but now return with a new sitcom, set in the fictional but contemporary court of King Henry IX.Henry IX follows in the writers' familiar territory of having their characters confined by circumstance. Likely Lads Bob and Terry were hemmed in by Read more ...
Jasper Rees
In the beginning it was about good catastrophes. A shotgun pregnancy after a hot hook-up. A dysfunctional transatlantic romance in which opposites attract. The boredom of looking after babies. The boredom of being a wage slave. Catastrophe was created out of an unlikely sitcom scenario that managed somehow to stay funny through two series on Channel 4.The third series, in which avid fans probably expected more of the same good thing, has struggled to land on a robust and coherent through-line. There have still been wonderful laughs. Sharon and Rob carried on amusing each other: she guffawed Read more ...
Sarah Kent
Anyone with even a passing interest in surrealism should watch Philippa Perry finding out How to Be a Surrealist and, in the process, creating an exhilarating and richly informative BBC Four film. In October 1924 the Surrealists opened an office in Paris called the Bureau of Surrealist Research and invited people to drop in to recount their dreams. Despite calling it research, their approach was far from academic; rather than analysing the material they gathered, they drew inspiration from it.Perry uses a similar approach. She dives enthusiastically into their world and work and, despite Read more ...